Page 38 - Christie's Chinese Works of Art March 24 and 25th, 2022 NYC
P. 38

This owl-form vessel is based on a Shang dynasty
                                                                                                                                 (c. 1600–c. 1046 BC) prototype, xiaozun, or
                                                                                                                                 owl-shaped zun, which served as a wine-storage
                                                                                                                                 or presentation jar and was used in ceremonies
                                                                                                                                 honoring the spirit of a deceased ancestor. The
                                                                                                                                 choice of fashioning the wine vessel in the form
                                                                                                                                 of an owl has an important historical significance.
                                                                                                                                 According to Liu Dunyang in Ye yu meng zhi shen
                                                                                                                                 de chixiao (The owl: Deity of night and dreams), in
                    (inscriptions)
                                                                                                                                 Collected Papers of Liu Duanyuan, Beijing, 2012,
                                                                                                                                 pp. 159-171, Shang people perceived the owl
                                                                                                                                 as the god of night and dreams as well as the
                                                                                                                                 messenger between human and spirit worlds, on
                                                                                                                                 account of its silent flight and nocturnal hunting.
                                                                                                                                 The softwood base made for this owl zun
                                                                                                                                 is noteworthy, as it bears numerous lengthy
                                                                                                                                 inscriptions. An inscription written by Xiang
                                                                                                                                 Yuanbian (1525-1590), the pioneer Ming-dynasty
                                                                                                                                 connoisseur and collector, can be found on the
                                                                                                                                 top of the base, which deciphers the mark cast
                                                                                                                                 in the owl vessel. This inscription concludes
                                                                                                                                 that “…[this ceremonial vessel] is of the highest
                                                                                                                                 prestige.” On the reverse of the base, an
                                                                                                                                 inscription followed by the signature of Zhang
                                                                                                                                 Fengyi (1527-1613), a Jiajing-period scholar and
                                                                                                                                 painter, further annotates each character shown
                                                                                                                                 in the cast mark. One narrow side of this base is
                                                                                                                                 carved with an inscription reading Wang Jizhi bai
                                                                                                                                 guan (respectively appreciated by Wang Jizhi).
                                                                                                                                 Wang Jizhi (1450-1524) is a documented scholar-
                                                                                                                                 official in the Hanlin Academy.













                                                           722
          PROPERTY FROM THE JUNKUNC COLLECTION                PROPERTY FROM THE JUNKUNC COLLECTION

          722                                                 723
          A LARGE BRONZE ARCHAISTIC ELEPHANT-FORM VESSEL, ZUN  A BRONZE ARCHAISTIC OWL-FORM VESSEL AND COVER, ZUN
          The vessel is cast as a stylized elephant, with the cover formed by the   The vessel is cast as an owl resting on its claws and tail, with the cover formed
          elephant's head and a tiger clambering up the back. The sides are decorated   as the head mounted by a chilong. The front of the body is decorated with
          with friezes of coiled birds and serpents, all reserved on a leiwen ground. The   taotie masks and the wings to the sides are suggested by coiled dragons, all
          underside of the cover and the interior of the vessel are cast with an inscription,   reserved on a leiwen ground. There are cast inscriptions on the interior of the
          and the patina is of a mottled, deep green tone.    cover and interior of the vessel.
          17æ in. (45.2 cm.) long                             14º in. (36 cm.) high, inscribed softwood stand
          $40,000-60,000                                      $40,000-60,000

          PROVENANCE:                                         PROVENANCE:
          Stephen Junkunc, III (d. 1978) Collection.          Stephen Junkunc, III (d. 1978) Collection.

          瓊肯珍藏                                                瓊肯珍藏
          仿古青銅象尊                                              仿古青銅梟尊
          來源:                                                 來源:
          史蒂芬•瓊肯三世(1978年逝)珍藏                                  史蒂芬•瓊肯三世(1978年逝)珍藏
                                                                                                                                         723 (inscriptions on stand)                                           723
                                                                                                                                                                                                                                    37
   33   34   35   36   37   38   39   40   41   42   43