Page 39 - Christie's Chinese Works of Art March 24 and 25th, 2022 NYC
P. 39

This owl-form vessel is based on a Shang dynasty
          (c. 1600–c. 1046 BC) prototype, xiaozun, or
          owl-shaped zun, which served as a wine-storage
          or presentation jar and was used in ceremonies
          honoring the spirit of a deceased ancestor. The
          choice of fashioning the wine vessel in the form
          of an owl has an important historical significance.
          According to Liu Dunyang in Ye yu meng zhi shen
          de chixiao (The owl: Deity of night and dreams), in
 (inscriptions)
          Collected Papers of Liu Duanyuan, Beijing, 2012,
          pp. 159-171, Shang people perceived the owl
          as the god of night and dreams as well as the
          messenger between human and spirit worlds, on
          account of its silent flight and nocturnal hunting.
          The softwood base made for this owl zun
          is noteworthy, as it bears numerous lengthy
          inscriptions. An inscription written by Xiang
          Yuanbian (1525-1590), the pioneer Ming-dynasty
          connoisseur and collector, can be found on the
          top of the base, which deciphers the mark cast
          in the owl vessel. This inscription concludes
          that “…[this ceremonial vessel] is of the highest
          prestige.” On the reverse of the base, an
          inscription followed by the signature of Zhang
          Fengyi (1527-1613), a Jiajing-period scholar and
          painter, further annotates each character shown
          in the cast mark. One narrow side of this base is
          carved with an inscription reading Wang Jizhi bai
          guan (respectively appreciated by Wang Jizhi).
          Wang Jizhi (1450-1524) is a documented scholar-
          official in the Hanlin Academy.













 722
 PROPERTY FROM THE JUNKUNC COLLECTION  PROPERTY FROM THE JUNKUNC COLLECTION

 722  723
 A LARGE BRONZE ARCHAISTIC ELEPHANT-FORM VESSEL, ZUN  A BRONZE ARCHAISTIC OWL-FORM VESSEL AND COVER, ZUN
 The vessel is cast as a stylized elephant, with the cover formed by the   The vessel is cast as an owl resting on its claws and tail, with the cover formed
 elephant's head and a tiger clambering up the back. The sides are decorated   as the head mounted by a chilong. The front of the body is decorated with
 with friezes of coiled birds and serpents, all reserved on a leiwen ground. The   taotie masks and the wings to the sides are suggested by coiled dragons, all
 underside of the cover and the interior of the vessel are cast with an inscription,   reserved on a leiwen ground. There are cast inscriptions on the interior of the
 and the patina is of a mottled, deep green tone.   cover and interior of the vessel.
 17æ in. (45.2 cm.) long  14º in. (36 cm.) high, inscribed softwood stand
 $40,000-60,000  $40,000-60,000

 PROVENANCE:  PROVENANCE:
 Stephen Junkunc, III (d. 1978) Collection.  Stephen Junkunc, III (d. 1978) Collection.

 瓊肯珍藏  瓊肯珍藏
 仿古青銅象尊  仿古青銅梟尊
 來源:  來源:
 史蒂芬•瓊肯三世(1978年逝)珍藏  史蒂芬•瓊肯三世(1978年逝)珍藏
                  723 (inscriptions on stand)                                           723
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