Page 88 - Christie's Important Chinese Works of Art, May 31 to June 1, 2023 Hong Kong
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fig. 4 Collection of the Summer Palace, Beijing     fig. 5 Collection of the Palace Museum, Beijing
                           圖四  清乾隆   黃玉狻猊                                    圖五 清乾隆《獸譜》〈狻麑〉
                             長15 寬7 高8公分                                        北京故宮博物院藏品
                            頤和園管理處藏品














          made use of a xiezhi which would use its horn to touch the guilty but   to be based on specific benevolent animals, including those made in
          would leave the innocent untouched, to assist in his judgement. In   yellow jades.
          the Ming and Qing dynasties, judicial officers wore headgear in the
          shape the horn of the still revered xiezhi (xiezhiguan) or wore surcoats   Examples of imperial yellow jade mythical animals from the Qing
          depicting the xiezhi.                               court include a suanni (fig. 4) published in Compendium of the Cultural
                                                              Relics in the Collection of the Summer Palace: Jade. Its rear-facing
          According to the archival record of the Qing court such as Huojidang   reclining posture is very similar to the present yellow jade xiezhi,
          (Archives of the Imperial Household), on the twentieth day of the   but the  head of a  suanni is hornless. Referencing the  Shoupu, it is
          fifth month in the twenty-first reign year of the Emperor Qianlong   clear that the published animal is indeed the rare and large animal
          (1756) ‘... a Han dynasty sweet yellow jade beast of joy... ordered   suanni, a lion (fig. 5). In Shoupu, the featured suanni mainly highlights
          to be placed in the  Baishijian (‘hundred-item’ curio box)’; on the   the interaction between an adult and a cub, whereas the published
          sixteenth day of the seventh month of the twenty-fifth year (1760),   example of the suanni in the ‘Compendium’ is a single adult with highly
          Li Yuanliang, senior  official of  Ministry  of War presented a list   comparable features to the Shoupu depiction. Another example of a
          containing ‘a yellow jade mythical beast (to be placed in Yangxindian   yellow jade animal, also in a reclining pose, is in the collection of
          ‘Hall of Spiritual Cultivation’); on the seventh day of the Eleventh   the  Beijing  Palace  Museum  (fig. 6).  See,  also  a yellow and  russet
          Month of the twenty-sixth year (1761), Yinglian, head of Ministry   jade carving of a mythical beast dated to the Qianlong period from
          of Interior Affairs presented a list containing ‘a yellow jade reclining   the Junkunc collection, Sotheby’s New York, 2020, Lot 277. The
          lion’ (to be placed in the outer hall of Yangxindian ‘Hall of Spiritual   Junkunc hornless animal with elaborated claws looks almost identical
          Cultivation’). These records reveal that yellow jade animals were   to the baize illustrated in Shoupu. It is noteworthy that the Summer
          to be kept in the treasured ‘hundred-item’ curio box, or placed in   Palace and Junkunc examples are both 15 cm long, while the Beijing
          Yangxindian where the emperor performed administrative duties,   Palace Museum example is 9 cm long. As the most illustrious example
          studied, and resided, indicating the importance of these fine jade   of yellow jade animals of the court of Emperor Qianlong, the present
          carvings that reflect the imperial taste.           yellow jade xiezhi has a monumental length of 18.1 cm!
          Although the proper  names of the yellow jade animals were not   In summary, Qing court yellow jade carvings depicting larger
          specified in the entries in Huojidang just mentioned, an entry was   mythical animals include xiezhi, suanni and baize, and they are all
          noted in  Huojidang for a white jade animal, ‘a pair of white jade   illustrated in the first volume of Shoupu. Notwithstanding the scarcity
          luduan’, on the fourth month of the eighth year of the reign of   of yellow jades, Emperor Qianlong commissioned the production of
          Emperor Qianlong (1743). The entry described that luduan ‘has an   these benevolent mythical animals which were supposed to appear
          ox horn over its nose.’ A jade animal fitting this description is in the   as auspicious omens only when an enlightened ruler reigned with
          collection of the Taipei Palace Museum (fig. 2). The mythical animal   benevolent policies; his intention was likely to have been to showcase
          luduan is also featured in Shoupu (fig. 3), which quotes from Furui Zhi   a collection of these rare yellow jade auspicious mythical animals
          (Treatise on Auspicious Signs) of anthology Songshu (Book of Song)   as a reflection of and to celebrate a prosperous state of the Qing
          to describe its role and characteristics, ‘Luduan…… the  wise king   empire under his rule as a virtuous king. The present yellow jade
          knows everything from afar from his throne, by reports delivered to   xiezhi, vivaciously carved and finely polished, masterfully portrays
          him (ensured by the mythical animal)’. Based on this example, it is   the vitality of the revered animal and symbolically highlights the
          highly probable that the Qianlong court commissioned jade animals   glorious times of the Qianlong empire.


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