Page 236 - Bonhams Catalog Cohen and Cohen Jan 24, 2023 New York
P. 236

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           A PAIR OF FAMILLE ROSE DOUBLE-WALLED RETICULATED   India Company merchantmen. Most European porcelain manufacturers
           HEXAGONAL BALUSTER VASES                          and designers were still exploring and inventing novel ceramic
           Qianlong period, circa 1760                       techniques, rather than treating porcelain production, as the Chinese
           Of hexagonal shape with double walls, the outer walls reticulated with   had done for three centuries, as a very large commercial enterprise,
           a Buddhist wan (long-life) symbols to the main panels and centered   producing millions of pieces of porcelain every year when the climate
           by landscape roundels in grisaille and pale enamels, the shoulder   was suitable in Jiangxi Province for handling the sensitive clay which
           with smaller panels with a reticulated honycomb pattern with famille   needed warmth, a cool dry climate and running water to make it
           rose landscape roundels, the tall trumpet neck with a reticulated trellis   workable and sufficiently plastic, while dried sufficiently not to collapse
           cell pattern with leaf-shaped panels painted with chrysanthemums,   while being fired in the kiln.
           the borders with colorful cell grounds, the spreading foot with ogival
           panels of ribboned objects and scholar’s items on a pink and blue   One product they had admired for a century before these vases were
           lotus ground.                                     made, were the wares very cleverly pierced through the porcelain
           20 1/2in (52cm) high (2).                         body with an elaborate ‘reticulated’ pattern, almost as if treating the
                                                             very fragile body as lace; or else piercing them through an outer skin
           $7,000 - 10,000                                   to leave the external filigree porcelain surface partially concealing
                                                             decoration painted onto on a flat inner surface. The Dutch imported
           乾隆時期 約1760年 粉彩玲瓏帶膽開光六方敞口瓶一對                       this type of technologically remarkable (blue and white) bowls in the
                                                             mid-17th century, but they were so apparently complicated if not
           Published:                                        impossible that the Dutch called these small, pierced bowls ‘Devil
           Cohen & Cohen, Baroque & Roll, Antwerp, 2015, p. 71, no. 46  work’. Despite this evidence of remarkable potting skill by the Chinese
                                                             in the mid 17th century, the VOC records at the time are full of
           出版:                                               complaints about the poor quality of the porcelain they were receiving
           倫敦Cohen & Cohen古董行,《Baroque & Roll》,安特衛普,2015     from the Chinese merchants who traveled at this earlier period
           年,頁71,圖版編號46                                      between Jingdezhen and the Dutch trading station in Taiwan with their
                                                             annual porcelain orders.
           Westerners were fascinated by the technical skills that Chinese potters
           exhibited in the first half of the 18th century when huge quantities of   References: Cohen & Cohen, 2007, p. 11, no. 7, a pair of reticulated
           standard Chinese porcelain were reaching Europe every year on East   vases of different shape; Wirgin, 1998, pp. 106-110, a single vase; C
                                                             sheaf and R. Kilburn, The Hatcher Porcelain Cargoes, p. 71, pl.110





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