Page 264 - Bonhams Catalog Cohen and Cohen Jan 24, 2023 New York
P. 264

128                                               In this scene Quixote has encountered a barber who is holding a basin
           A VERY RARE FAMILLE ROSE ‘DON QUIXOTE’ TEABOWL AND   over his head to shelter from the rain (the woman on the left appears
           SAUCER                                            to be sheltering herself with her cloak too). With his characteristic
           Qianlong period, circa 1745                       ability to conjure up heroic adventures out of the mundane, Quixote
           Enameled across the saucer and around the cup’s exterior principally   has assumed the basin to be the ‘Helmet of Mambrino’, a legendary
           in vivid shades of pink, grey, yellow and green with a scene from the   possession of a Moorish King, made of pure gold and rendering the
           famous Spanish epic novel by Miguel de Cervantes, ‘The ingenious   wearer invulnerable. The scene is based on an imaginative design
           Gentleman Don Quixote’, the bumbling romantic knight mounted in   by Charles-Antoine Coypel (1694-1752) originally for the Gobelins
           full armor on his sturdy steed roaming Spain in search of chivalrous   tapestry factory. Images by Coypel were engraved by a number of
           escapades accompanied by his roguish servant Sancho Panza.   artists including Louis Surugue, Gerard Vendergucht and Jacob
           the saucer: 5 1/4in (13.5cm) diam                 Folkema (fig.1). The Vandergucht series of engravings was used for an
                                                             early English edition published around 1732.
           $6,000 - 8,000
                                                             This design is one of the most sought after by collectors of European
           乾隆時期 約1745年 珍稀粉彩《堂吉訶德》茶盞托盤一組                      subjects on Chinese export porcelain. It is now thought that three
                                                             services may have been ordered, the first in 1745, as here, just after
           Published:                                        the Jacob Folkema or Jan Van der Gucht print was published, the
           Cohen & Cohen, Baroque and Roll, Antwerp, 2015, pp. 92-93, no. 59   second about 1750 and the third sometime between 1755 and 1770.
                                                             For further discussion, see Cohen & Cohen, Baroque & Roll, Antwerp,
           出版:                                               2015, pp. 94-95, no. 60.
           倫敦Cohen & Cohen古董行,《Baroque and Roll》,安特衛
           普,2015年,頁92-93,圖版編號59                             The story is popular and emblematic of all that Quixote represents.
                                                             Don Quixote is a hero for any age but especially for ours. He has a
                                                             huge imagination nurtured by reading many books and his innocence
                                                             and excitement at the prospect of adventure appears as madness to
                                                             the ‘gray’ people around him. He has his own code: an ancient one
                                                             of morality and honor, the code of Chivalry, and he sets out bravely to
                                                             rectify the wrongs he encounters.

                                                             For a very similar example, see Cohen & Cohen, The Golden Gate
                                                             Collection, Antwerp, 2018, pp. 58-59, no. 45





                                  (fig.1)


















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