Page 320 - Bonhams Catalog Cohen and Cohen Jan 24, 2023 New York
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                                                                            A FAMILLE ROSE HOLY WATER STOUP AND
                                                                            COVER
                                                                            Qianlong period, circa 1760
                                                                            the stoup of wall hanging type with flat shaped
                                                                            backplate painted with a composite hibiscus
                                                                            spray to one side, the stoup below with nineteen
                                                                            ribbed lappets painted with simple single flower
                                                                            sprays and further leaves mirrored in the ribbed
                                                                            cover, the back plate unglazed and pierced for
                                                                            suspension.
                                                                            8 1/4in (21cm) high

                                                                            $3,000 - 5,000
                                                                            乾隆時期 約1760年 粉彩花卉紋挂墻聖水缽
                                                                            Published:
                                                                            Cohen & Cohen, Tyger Tyger!, Antwerp, 2016,
                                                                            pp. 64-65, no. 28
                                                                            出版:
                                                                            倫敦Cohen & Cohen古董行,《Tyger Tyger!》,
                                                                            安特衛普,2016年,頁64-65,圖版編號28
                                                                            Stoups are intended to hold small quantities of
                                                                            holy water for people to dip their fingers in before
                                                                            making the sign of the cross. They were often
                                                                            placed at the entrances to churches or holy sites.
                                                                            The form is known in delftware, faïence and
                                                                            metalwork but is rare in Chinese export porcelain.
                                                                            Dias, 1996, suggests that the presence of a cover
                                                                            means it was probably for private use rather than
                                                                            in a church where continual daily use negated its
                                                                            need.
                                                                            A pair of the same type and decoration as this
                                                                            can be found in the Museu da Fundação Ricardo
                                                                            do Espírito Santo Silva, Lisbon. A few examples
                                                                            are known in blue and white of similar shape,
                                                                            marked IHS to the back plate, for the Jesuits.

                                                                            References: Antunes, 2000, p. 55, no. 39, a
                                                                            pair identical to this example, in the collection of
                                                                            Ricardo do Espírito Santo Silva, also published
                                                                            Antunes, 1999, p. 91; Dias, 1996, p. 52-3,
                                                                            discussion of such pieces; Sargent, 2012, p. 310,
                                                                            a blue and white example in the Peabody Essex
                                                                            Museum, Salem, MA (AE85322.ab) purchased
                                                                            from Cohen & Cohen in 1996 and reference
                                                                            to a second example in the museum (E82867)
                                                                            purchased from Cohen & Pearce in 1990; a
                                                                            fragment of a blue and white back plate, now in
                                                                            the Bangkok National Museum, Thailand, was
                                                                            excavated in 1984 from San Petro, a Dominican
                                                                            church destroyed by the Burmese in 1767, at
                                                                            Ayutthaya, a former Portuguese settlement;
                                                                            Cohen & Cohen, 2014, no. 22, a further blue and
                                                                            white example; Sapage, 1992, cat. 24, a blue
                                                                            and white example of different shape with back-
                                                                            plate in the form of a crucifix, and inscribed IHS;
                                                                            Pinto de Matos, 2011, Vol. 3, p. 194, no. 492, a
                                                                            blue and white cruciform stoup.




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