Page 84 - Bonhams Catalog Cohen and Cohen Jan 24, 2023 New York
P. 84

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           A MASSIVE ENAMELLED PUNCH BOWL FOR THE AMERICAN   For an extensive investigation into the history of the bridge and the
           OR ENGLISH MARKET                                 relationship between Jacob Dyckman and Staats Morris see https://
           Jiaqing period, circa 1804                        www.cohenandcohen.co.uk/objectdetail/772496/17665/massive-
           Unusually enameled in sepia on the exterior of the very large bowl   chinese-export-punchbowl-for [accessed Nov. 5, 2022]
           with two large oval landscape cartouches, one definitively of European
           subject matter, the other a simple rural landscape with people   The border design of polychrome flowers on a gilt ground around the
           wearing the round-brimmed hats popular in the New World, beside a   bowl’s exterior is typical of Export wares of the period, but the unusual
           wooden bridge on three stone piers, with simple rustic buildings in the   Neo-classical interior borders are after designs associated with the
           background, all beneath a gold-ground floral band at the rim.   British architect Robert Adam.
           22 1/2in (56.5cm) diam
                                                             If this bowl depicts a scene in eighteenth century New York, then
           $20,000 - 25,000                                  it is an extraordinary discovery. Bowls of this size are often called
                                                             christening bowls and the decorative style of this one suggests that it
           嘉慶時期 約1804年 為美國或英國市場製大件棕彩描金開光風景圖潘                 was made for the American market around 1800 and would have been
           趣酒碗                                               a special commission. A small number of other topographical bowls of
                                                             this size and date are known, again mostly for the American market.
           Published:
           Cohen & Cohen, Angels & Demonslayers, Hong Kong, 2012, pp. 96-  It is possible therefore that this bowl was made for a family of Dutch
           100, no. 63                                       settlers in New York who wished to acknowledge their origins while
                                                             also celebrating their new home, now an independent republic.
           出版:
           倫敦Cohen & Cohen古董行,《Angels & Demonslayers》,香      References: Howard, 1997, p. 13, where he illustrates a large Masonic
           港,2012年,頁96-100,圖版編號63                            bowl dated 1812 which has an inner rim border band similar in style
                                                             to the outer rim on this bowl; Schiffer, 1980, p. 37, a bowl with a
           The bridge is similar in style to the Farmer’s Free (or Dyckman’s) Bridge  view of New York, circa 1803, and p. 167, a bowl with an image
           built in 1758 over Spuyten Dyvil Creek, in what is now the Bronx area   of Pennsylvania Hospital, circa 1805, and also p. 149, a bowl with
           of New York City. The bridge was built by John Palmer to avoid the   the ‘Surrender of Burgoyne’, circa 1850, now in the White House
           King’s Bridge, an expensive toll bridge built by the Philipse family of   Collection; and Reier, 1977, The Bridges of New York. The second
           Westchester, and until then the only access to the livestock markets   scene he shows depicts shops and a fortified town on a cliff top with
           in Manhattan for farmers travelling into market from the north in   Dutch or South German architecture.
           Westchester County.










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