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THE PROPERTY OF A GENTLEMAN 紳士藏品
           248  TP Y
           AN IMPORTANT PAIR OF HONGMU FOUR-PART COMPOUND
           HAT-CHESTS ON CABINETS, DINGXIANG’GUI
           17th/18th century
           Each cabinet of massive rectangular form constructed from large
           panels beneath the hat chests made of two single panel doors, all
           similarly decorated in high relief with four sinuous chilong amidst
           a profusion of ruyi fungi issuing from meandering leafy stems, all
           supported by rectangular-section legs joined by shaped beaded
           aprons and spandrels, the hinged doors fitted with shaped lock plates
           and pulls, opening to reveal two shelves in each compartment.
           Overall 260cm (102 2/8in) high x 127cm (50in) wide x 61cm (24in)
           deep. (4).

           £150,000 - 200,000
           CNY1,300,000 - 1,800,000
           十七/十八世紀 紅木浮雕螭龍靈芝紋頂箱櫃成對

           Provenance: Charlotte Horstmann and Gerald Godfrey Ltd.,
           Hong Kong
           A British private collection, acquired from the above on 21 July 1998

           來源:香港古董商Charlotte Horstmann and Gerald Godfrey Ltd.
           英國私人收藏,於1998年7月21日購自上者




           Compound cabinets combine a large square-corner cabinet with a   The Portuguese Dominican friar Gaspar da Cruz notes the dominant
           smaller upper cabinet or ‘hat cupboards’. Fitted with shelves and often  positions of wardrobes in the reception rooms of a house he visited
           times with drawers, their generous size made them ideal for storing   in 1556, ‘Entering in the first of these houses (which is large) it has
           long scrolls, fabrics, garments and books. The upper cabinets, as the   therein some huge cupboards very well wrought and carved...’; see
           name suggests, would have contained hats or less frequently used   S.Handler, Austere Luminosity of Chinese Classical Furniture, Berkley,
           items. Although the upper cabinets are of separate construction, their   2001, p.262.
           unfinished undersides suggest that the top-cabinets were an integral
           part of the design and were never meant to serve as independent   Apart from their impressive size, the decoration of lingzhi and
           pieces of furniture. On some cabinets, the top sections were so high   archaistic chilong is also exceptional. The lingzhi fungus, represents a
           that a ladder was needed to access them. In the 18th century novel,   combination of spiritual potency and the essence of Immortality, and
           Story of the Stone, Granny Liu, a poor distant relative visits the wealthy  so naturally regarded as the herb of spiritual potency, symbolising
           Jia family compound and is astonished by the size of the furniture:   success, well-being, divine power, and longevity. The archaistic
                                                             dragons or chilong reflects intellectual trends of archaism that were
           ‘When I first went into your Ladyship’s apartment yesterday and saw   prevalent at the time, as the literati sought new approaches to
           those grand chests and cupboards and tables and beds, the size of   understanding their ancient heritage which in turn led to a greater
           everything fairly took my breath away. That great wardrobe of yours is   fascination for decorative designs from ancient bronzes.
           higher and wider that one of our rooms back home. I’m not surprised
           you keep a ladder in the back courtyard. When I first saw it, I thought   Compare with a related hongmu cabinet, mid Qing dynasty, carved
           to myself, ‘Now what can they need a ladder for?’...And then of course  with motifs of dragons, bats, musical stones and double-fish,
           I realised: it must be for getting things out of the compartment on top   illustrated by Tian Jiaqing, Classic Chinese Furniture of the Qing
           of that wardrobe of yours, for you could never reach it else.’    Dynasty, Hong Kong, 1996, pp.220-221, no.100. See also a related
           See D.Hawkes, trans., Cao Xueqin, The Story of the Stone, London,   zitan dingxiang gui cabinet carved with ornate floral scrolls, Mid Qing
           1974, chapter 40.                                 dynasty, from the Qing Court Collection, illustrated in Imperial Furniture
                                                             of Ming and Qing Dynasties: Classics of the Forbidden City, Beijing,
           In grand houses like the Jia familiy’s, cabinets such as the present lot   2008, p.24, no.17.
           might be used in the inner woman’s apartments and in the reception
           rooms to which male visitors were invited. If the master of the house   See a related large pair of hongmu compound cabinets, 19th century,
           was an official, the wardrobes might contains Court robes and hats.   which were sold at Christie’s Hong Kong, 31 May 2010, lot 2047.





                                                  For details of the charges payable in addition to the final Hammer Price of each Lot
           64  |  BONHAMS                         please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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