Page 12 - Bonhams Presencer Buddhist Art Collection Oct. 2 2018
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           101
           A COPPER ALLOY GHANTA
           KOREA, GORYEO DYNASTY, 13TH/14TH CENTURY
           Himalayan Art Resources item no.61676
           20.3 cm (8 in.) high

           HK$150,000 - 250,000
           高麗王朝十三/十四世紀 銅金剛鈴

           This bronze ritual bell is powerfully modeled with complex detail. The
           body of the bell depicts four celestial guardians of each direction:
           Vaishravana of the North, holding a pagoda and a lance; Dhartarashtra
           of the East, holding a bow and arrow; Virudhaka of the South and
           Virupaksa of the West, both holding swords. The four guardians
           alternate between vajras facing the sub-cardinal directions, molded in
           the same shape as the bell’s three-pronged vajra-handle.

           Ritual implements like the present lot provide material evidence of
           tantric practices in Korea. Early esoteric practices in the country came
           with Mahayana Buddhism’s introduction during 4th century. However,
           it was not until 13th century, when the Mongols took control of Korea
           and established relations with Tibet, that Tibetan Buddhism started to
           infiltrate Korea. Korean monks met Tibetan lamas at the Yuan court
           and Tibetan teachers travelled to Korea.

           Large quantities of ritual implements were produced during the
           13th and 14th centuries. Tantric rituals were regularly employed for
           statecraft at the Koryo court (see Georgieva-Russ, “Esoteric Buddhist
           Ritual Objects of the Koryo Dynasty: Vajra Scepters and Vajra Bells”,
           1998, pp.2-3). Monks usually hold a vajra in the right hand and a
           bell in the left, manipulating the implements while chanting mantras.
           Considered the ‘voice of the Dharma’, the bell’s chime summons the
           guardians.

           Several ghantas of similar style and subject are housed in the Nara
           National Museum in Japan, see Sources of Japanese Buddhist Art,
           Nara, 1978, pp.195-6, nos.52-3.

           Provenance
           Alan Darer 1980s

















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