Page 17 - Bonhams Presencer Buddhist Art Collection Oct. 2 2018
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           A BONE MALA WITH TURQUOISE INLAID SILVER GAU       A BRASS INKWELL
           Himalayan Art Resources item no.61692              NEPAL, 19TH CENTURY
           78 cm (30 3/4 in.) long                            Himalayan Art Resources item no.61723
                                                              6.5 cm (2 1/2 in.) high
           HK$15,000 - 25,000
                                                              HK$8,000 - 12,000
           靈骨佛珠配鑲松石銀嘎烏盒
                                                              尼泊爾 十九世紀 銅墨水瓶
           Malas are intimate religious articles that a Buddhist turns to daily to
           steer his or her thoughts towards a spiritual quest. A mala typically   This Nepalese inkwell is indicative of how religious art and the material
           has a significant numerological amount of beads, such as 108 here.   culture of the Himalayas, up until the late 20th century, are really one
           A mala’s beads are made of symbolically potent materials for the type   and the same. The inkwell takes the auspicious form of a ritual vase,
           of practice it assists with, in this case polished bone discs typically   the kalasha. Intricate, but rubbed from plenty of use, it is difficult to
           used for ‘wrathful activities’ of subduing negative emotional or spiritual   identify its iconography, although it certainly depicts celestial beings.
           obstacles. Within monastic practice, the beads are manipulated to   Some appear to be dancing, perhaps garland bearers, while others
           count recitations of a certain mantra, a transformative set of words   might be mythical creatures, garudas and nagas. Lotus and chord
           that achieve beneficial outcomes if recited correctly. Malas have a   motifs continue the inkwell’s auspicious imagery. Presumably this
           guru-bead that marks a complete cycle of recitations, and typically   would affect the ink. For further discussion and comparable examples,
           also counters that help keep track of the total number of cycles, such   see Slusser & Fuller, “Culture in Microcosm: The Nepalese Inkwell”,
           as the silver beads around leather straps here.    Arts of Asia, July – August 1987, no.17, pp.78-87.

           In recent times, malas are sometimes converted to necklaces for   Provenance
           lay practioners, fitted with gau or other auspicious pendants. A gau   Dan Robinson, Oxford, 2016
           is a talisman carried for protection, such as the handsome silver
           and turqouise pendant here. As in this case, gaus often contain
           consecrated material that provides the source of its protection. This
           converted mala is particularly handsome with neat elements.




















































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