Page 42 - Bonhams, Indian and Himalayan Art New York July 23, 2020
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           A SILK BROCADE PANEL OF MAHAKALA                  The figural style of the panel’s Mahakala appears to be aligned
           CHINA, CIRCA 14TH CENTURY                         with the Buddhist art of the Dali Kingdom (10th-13th century). His
           Satin weave with a silk and gilded paper brocade.   expression of “wrath without fury” (Wei Er Bu Nu), for example, is
           Himalayan Art Resources item no.35892             characteristic of wrathful deities from Dali. The emphasis of strength
           12 3/4 x 11 in. (32.5 x 28 cm), irregular         through exaggerated muscles, such as his bulging forearms, is also
                                                             consistent with Dali sculpture and painting. See a gilt bronze sculpture
           $10,000 - 15,000                                  of Trailokyavijaya in the collection of Yunnan Museum, China (HAR
                                                             8073); also refer to the seven forms of Mahakala within the famous
           中原 約十四世紀 大黑天紋織錦                                   Dali Kingdom Buddhist Scroll by Zhang Shengwen at National Palace
                                                             Museum, Taipei.
           This intricate woven panel depicts a rare form of Mahakala encircled
           by a ring of multicolored flames. The figure’s facial features, attributes,   Provenance
           and accessories are meticulously outlined. Included is a staff with a   Acquired from the European Art Market, early 2000s
           jagged double edge and a sun-and-crescent-moon pommel resting
           horizontally on his central forearms. The panel would have been part of
           a larger textile hanging, likely depicting several mahakalas of differing
           iconography. See a closely related silk panel, carbon dated to the
           14th-15th century, published in Spink & Son Ltd., The Art of Textiles,
           London, 1989, no.22.

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