Page 263 - Christie's Fine Chinese Paintings March 19 2019 Auction
P. 263

1766
          TWO ROCK CRYSTAL SQUARE SEALS
          QING DYNASTY (1644-1911)
          Each seal is carved on top with a two-horned mystical beast, pixiu. One seal   The present two seals are very similar in style and size to a rock crystal
          face is carved in intaglio with a fve-character phrase, qin shu dao qu sheng   seal carved with a mythical beast fnial and dated to the 19th-early 20th
          (joy from the dao of music and literature), and the other with a four-character   century, with a six-character inscription Youzhenyixuan zhi bao (Treasured
          phrase, yun jue chi zhong (take the course of moderation).  by The Truly Satisfying Studio) on the seal face, formerly in the collection of
          Larger: 2 15/16 in. (7.4 cm) square                 William Crozier (1855-1942), illustrated in “The Crozier Collection Part 1:Rock
                                                         (2)   Crystals,” The Philadelphia Museum Bulletin, vol. 40, no. 203, (Nov., 1944), pl.
          $20,000-30,000                                      IX, and now in the collection of Philadelphia Museum of Art, accession no.
                                                              1944-20-12.

          PROVENANCE                                          The inscription on the larger seal, qin shu dao qu sheng, is recorded in
          Valentine Everit Macy (1871-1930) Collection, by repute.  Guochao hongshi xubian (Reigning dynasty palace history sequel), vol. 62, as
                                                              part of a poetic couplet composed by Qianlong in renzi year (1792).
          For a discussion on Valentine Everit Macy, see the footnote to  lot 1764.
                                                              The inscription on the smaller seal, yun chi jue zhong, originated from
          Rock crystal, a pure and transparent variety of quartz, is called shuijing    Zhongyong (Doctrine of the Mean), one of the four classic works based on
          (‘water essence’) or shuiyu (‘water jade’) in early Chinese writings because of   Confucian philosophy.
          its resemblance to ice, and its preciousness comparable to jade. It is a
          very dificult medium with which to work, as the original material needs to be   清  水晶貔貅鈕方璽一組兩件
          sawed and chipped down, and then fne details were executed with a
                                                              印文: 允持厥中  琴書道趣生
          bow drill.













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