Page 290 - Christie's Fine Chinese Paintings March 19 2019 Auction
P. 290

1793
                                                              A CLOISONNÉ ENAMEL ‘HOLY WATER’ VASE, GANLU PING
                                                              18TH-EARLY 19TH CENTURY
                                                              The high-shouldered body tapers towards the spreading foot, and is
                                                              surmounted by a tall, cylindrical neck encircled by a narrow, gilded collar. The
                                                              vase is decorated overall with lotus scrolls on a turquoise ground.
                                                              9º in. (23.5 cm.) high

                                                              $6,000-8,000
                                                              清十八至十九世紀初   掐絲琺瑯纏枝蓮紋甘露瓶

















                                 1793





          1794
          A PAIR OF MASSIVE CLOISONNÉ AND CHAMPLEVÉ ENAMEL
          CRANE-FORM CENSERS
          19TH CENTURY
          Each crane is shown standing on a colorful, grassy mound interspersed with
          orchids and lingzhi that is raised on a waisted, hexagonal base decorated
          around the sides with lotus scroll and gilt petal-lappet bands, and each grasps
          in its beak a stem of lingzhi that forms a pricket candlestick. The body is white
          with a dense pattern of gilt wires, and the separately made wings, which
          form the cover for the opening at the back of the body, have small turquoise
          and large, dark greyish-blue feathers similar to the tail feathers. The legs are
          detachable at the body and the base.
          94 in. (238.8 cm.) high approximately
                                                         (2)
          $60,000-80,000

          A pair of similar cranes, of somewhat smaller size (72 in.), is illustrated in
          Colorful, Elegant, and Exquisite: A Special Exhibition of Imperial Enamel
          Ware from Mr. Robert Chang’s Collection, 28 December 2007 - 8 May 2008,
          Suzhou Museum, pp. 70-71, where they are dated Qianlong period. They,
          also, grasp lingzhi-form candlesticks in their beaks, and have similar white
          bodies and wing and tail feathers, but the covers are missing. Pairs of similar,
          large, crane-form incense burners can be seen in photographs illustrated by
          Wang-go Weng and Yang Boda in The Palace Museum: Peking, Treasures
          of the Forbidden City, New York, 1982; one pair grasping lingzhi-form
          candlesticks in their beaks in the Palace of Heavenly Purity, p. 25, the other
          pair shown fanking the throne in the Hall of Great Harmony, pp. 44-45.
          An almost identical pair of cloisonné enamel crane-form censers of slightly
          smaller size was sold at Christie’s New York, 18 September, 2014, lot 645.
          清十九世紀   掐絲琺瑯仙鶴式大香爐一對                                            1794 (detail)
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