Page 16 - March 23 2022 Boinghams NYC Indian and Himalayan Art
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TIBETAN PAINTINGS FROM THE COLLECTION
          OF RALPH GLASGAL (LOTS 401-416)







          TIBETAN PAINTINGS FROM THE COLLECTION OF RALPH GLASGAL
          (LOTS 401-416)
          406
          A PAINTING OF TSONGKHAPA AMIDST A FIELD FOR THE
          ACCUMULATION OF MERIT
          TIBET, STYLE OF TASHI LHUNPO MONASTERY, 18TH CENTURY
          30 x 18æ in. (76.2 x 47.6 cm.)
          $8,000-12,000
          LITERATURE:
          Himalayan Art Resources, item no. 24730.

          The present painting depicts Je Tsongkhapa, founder of the Gelug order, at
          the  center  of  a  refuge  field,  an  elaborate  composition  in  which  a  multitude
          of  deities  and  teachers  of  a  particular  practice  are  illustrated  as  a  single
          assembly.  Tsongkhapa  is  seated  with  his  right  hand  raised  to  his  chest,  at
          the  center  of  which  is  a  diminutive  image  of  Buddha  Shakyamuni,  and  his
          left hand supports a begging bowl. The field is separated into various tiers,
          with the incarnations of the Panchen Lama lineage in the sky at the top of
          the painting. Indian mahasiddhas and panditas can be found in the boughs
          of  the  tree  above  Tsongkhapa,  and  meditational  deities,  the  Eight  Great
          Bodhisattvas, the Thirty-Five Confession Buddhas, the Sixteen Great Arhats,
          and protector and wealth deities can be found in the branches to his left, right,
          and below. The Four Guardian Kings float in clouds above the pool at bottom,
          from which emerges Mount Sumeru and the four continents at bottom right,
          and figures holding the Seven Jewels of Royalty are found in the rocks in the
          lower left corner.
          The composition of the present painting was originally conceived by Konchog
          Gyaltsen  during  the  time  of  the  Third  Panchen  Lama.  It  was  subsequently
          carved  into  a  woodblock  print  at  Tashi  Lhunpo  monastery,  probably  in  the
          eighteenth  century,  from  which  numerous  paintings,  including  the  present
          work, were based off of. The inscription running along the bottom is found
          in the woodblock print, and translates to “Homage to the guru of the system
          of  Kongchog  Gyaltsen,  this  image  of  the  stage  of  yoga  of  Lobsang  Dorje-
          chang’s [Tsongkhapa]. May its virtue help all sentient beings attain the level
          of  accomplishment  of  Lobsang  Dorje-chang  [Tsongkhapa]!”.  Compare  the
          present  painting  with  another  directly  modeled  after  the  woodblock  print,
          illustrated on Himalayan Art Resources, item no. 74089, as well as a painting
          in the collection of the Rubin Museum of Art (acc. no. F1997.41.7), illustrated
          on Himalayan Art Resources, item no. 571, which deviates only slightly from
          the woodblock design.

          西藏   十八世紀   宗喀巴像
          出版:
          “喜馬拉雅藝術資源” (Himalayan Art Resources), 編號24730














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