Page 17 - March 23 2022 Boinghams NYC Indian and Himalayan Art
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TIBETAN PAINTINGS FROM THE COLLECTION
 OF RALPH GLASGAL (LOTS 401-416)







 TIBETAN PAINTINGS FROM THE COLLECTION OF RALPH GLASGAL
 (LOTS 401-416)
 406
 A PAINTING OF TSONGKHAPA AMIDST A FIELD FOR THE
 ACCUMULATION OF MERIT
 TIBET, STYLE OF TASHI LHUNPO MONASTERY, 18TH CENTURY
 30 x 18æ in. (76.2 x 47.6 cm.)
 $8,000-12,000
 LITERATURE:
 Himalayan Art Resources, item no. 24730.

 The present painting depicts Je Tsongkhapa, founder of the Gelug order, at
 the  center  of  a  refuge  field,  an  elaborate  composition  in  which  a  multitude
 of  deities  and  teachers  of  a  particular  practice  are  illustrated  as  a  single
 assembly.  Tsongkhapa  is  seated  with  his  right  hand  raised  to  his  chest,  at
 the  center  of  which  is  a  diminutive  image  of  Buddha  Shakyamuni,  and  his
 left hand supports a begging bowl. The field is separated into various tiers,
 with the incarnations of the Panchen Lama lineage in the sky at the top of
 the painting. Indian mahasiddhas and panditas can be found in the boughs
 of  the  tree  above  Tsongkhapa,  and  meditational  deities,  the  Eight  Great
 Bodhisattvas, the Thirty-Five Confession Buddhas, the Sixteen Great Arhats,
 and protector and wealth deities can be found in the branches to his left, right,
 and below. The Four Guardian Kings float in clouds above the pool at bottom,
 from which emerges Mount Sumeru and the four continents at bottom right,
 and figures holding the Seven Jewels of Royalty are found in the rocks in the
 lower left corner.
 The composition of the present painting was originally conceived by Konchog
 Gyaltsen  during  the  time  of  the  Third  Panchen  Lama.  It  was  subsequently
 carved  into  a  woodblock  print  at  Tashi  Lhunpo  monastery,  probably  in  the
 eighteenth  century,  from  which  numerous  paintings,  including  the  present
 work, were based off of. The inscription running along the bottom is found
 in the woodblock print, and translates to “Homage to the guru of the system
 of  Kongchog  Gyaltsen,  this  image  of  the  stage  of  yoga  of  Lobsang  Dorje-
 chang’s [Tsongkhapa]. May its virtue help all sentient beings attain the level
 of  accomplishment  of  Lobsang  Dorje-chang  [Tsongkhapa]!”.  Compare  the
 present  painting  with  another  directly  modeled  after  the  woodblock  print,
 illustrated on Himalayan Art Resources, item no. 74089, as well as a painting
 in the collection of the Rubin Museum of Art (acc. no. F1997.41.7), illustrated
 on Himalayan Art Resources, item no. 571, which deviates only slightly from
 the woodblock design.

 西藏   十八世紀   宗喀巴像
 出版:
 “喜馬拉雅藝術資源” (Himalayan Art Resources), 編號24730














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