Page 174 - Christie's Asian Art Auctions PARIS December 2019
P. 174

ƒ214
         RARE THANGKA REPRESENTANT CATURMUKHA
         MAHAKALA
         TIBET, XVEME SIECLE
         Il est représenté en pratyalidhasana  piétinant  des  divinités  placées
         sur une base lotiforme. Il tient dans ses mains principales le karttrika
         et le kapala. Ses deux autres mains portent le khadga et le trishula. Il
         est vêtu d'une peau de tigre. Il est paré de bijoux et d'un mala de têtes
         coupées. Ses quatres visages sont empreints d'une expression féroce.
         Dimensions de la peinture: 52 x 47,7 cm. (20Ω x 18æ in.), encadré sous
         verre
         €75,000-95,000                US$84,000-110,000
                                          £65,000-82,000

         PROVENANCE:
         Christie's New York, 21 March 2012, lot 771.
         Property of a Southeast Asian collector.
         A RARE FRAMED AND GLAZED THANGKA DEPICTING
         CATURMUKHA MAHAKALA
         TIBET, 15TH CENTURY
         西藏 十五世紀 四面忿怒瑪哈嘎拉唐卡 鏡框
         來源:
         紐約佳士得,2012年3月21日,拍品771號
         東南亞藏家珍藏


         The central deity, Chaturmukha Mahakala (“Four-faced Mahakala”), is
         the second of the principle protector deities in the Sakya tradition of
         Tibetan Buddhism. There are fve forms of Chaturmukha Mahakala,
         and this painting depicts all of them. With the white and red faces
         on  either  side  of  the  central  blue  face,  the  central  deity  can  be
         identifed as the Accomplishment form of Chaturmukha Mahakala.
         The diminutive Approximation form with green faces is located to
         the right of the central fgure’s head, while the Demon Faces form
         with the elephant and lion faces is located to the right of the trident.
         The other two forms, Performing Activities and Four Families, are at
         bottom center and bottom left, respectively.
         Because most of the lineage teachers can be identifed, it is possible
         to roughly date the age of the painting. As Khedrubje Geleg Palzang
         (1385-1438), student of Tsongkhapa, is located towards the end of the
         lineage  without  subsequent  teachers  after  him,  it  can  be  assumed
         that this painting dates from not long after his death.






















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