Page 63 - important chinese art mar 22 2018
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           A CELADON-GLAZED JAR AND         of this design in the National Palace Museum,   ૶৻ඤ   ४ڡཊ˚˜ᜦ
           COVER                            Taipei, is included in the exhibition Catalog of   ɽ૶৻ඤϋႡ‘ಛ
                                            the Special Exhibition of K’ang-hsi, Yung-cheng
           QIANLONG SEAL MARK AND
                                            and Ch’ien-lung Porcelain Ware from the Ch’ing
           PERIOD                           Dynasty in the National Museum Palace, Taipei,
                                            1986, cat. no. 27.
           " nely potted with the ovoid body rising from
           a recessed base to a short neck, molded on   A similar jar from the Meiyintang Collection was
           each side below the shoulders with a reversed   sold in our Hong Kong rooms, 4th April 2012, lot
           C-shaped mock handle, the cover of a shallow   14; and another from the T.Y. Chao Collection
           domed form, covered overall with a smooth sea-  was sold in our Hong Kong rooms, 19th May 1987,
           green glaze, thinning to a lighter tone at the rim   lot 283; one without cover in the Hong Kong
           and handles, the base with a six-character seal   Museum of Art was included in the Museum’s
           mark in underglaze blue (2)      exhibition The Wonders of the Potter’s Palette.
           Height 8⅜ in., 21.3 cm           Qing Ceramics from the Collection of the Hong
                                            Kong Museum of Art, Hong Kong, 1984-5, cat.
           This vessel form, with its superbly harmonious
                                            no. 79; and a Daoguang copy, lacking the raised
           pro" le, integrating its cover, and its unusual
                                            C-shaped motifs, in the Palace Museum, Beijing,
           C-shaped motifs on the sides appears to have
                                            is published in Geng Baochang, ed., Gugong
           originated in the Kangxi reign. The shape is
                                            Bowuyuan cang gu taoci ciliao xuancui [Selection
           often called riyueguan (sun-and-moon jar), its
                                            of ancient ceramic material from the Palace
           cover supposedly representing the sun and
                                            Museum], Beijing, 2005, vol. II, pl. 278.
           the crescents at its sides the moon, but no
           comparable iconography appears to be known
                                            $ 20,000-30,000
           from other works of art. A rare Kangxi prototype
















































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