Page 84 - Sotheby's Indian Himalayan and Southeast Asian Wroks of Art March 2019
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           PROPERTY FROM THE ESTATE OF JOHANNES DUTT  “The clouds are gathering, thunder rolls and rain
           A RARE SET OF 12 ILLUSTRATIONS   pours in torrents.
           DEPICTING THE CHANGING SEASONS   The wind blows fiercely, the cicadas chirp.
           BARAMASA                         Lions roar and the elephants fell the trees.
           India, Kangra, Circa 1820
                                            Day is dark like night and one’s home is best.
           Opaque watercolor on paper heightened with gold  Pray leave me not in the month of Bhadon
           folio: 13 by 9⅞ in. (33 by 25.1 cm) each, [12]
           unframed                         for separation pains like poison”
           image: 9⅝ by 7¼ in. (24.4 by 18.4 cm.)
                                            (from the Kavipriya of Keshav Das)
           Each painting composed in an oval format inset   Complete sets of Baramasa paintings from the
           within blue spandrels ornamented with delicate   Nineteenth Century are very scarce whether
           foliate designs, further framed by a yellow inner   from the Pahari region as the present lot, or from
           border with blossoms.            Rajasthan.  The paintings are generally compiled
           Each verso bearing an inscription in Devanagari   in a seasonal cycle beginning with Spring, viz:
           naming the month depicted.       Chaitra / Baisakha / Jyeshtha / Ashadha /
                                            Shravan / Bhadon / Ashvina / Karttika / Agahana
           This very fine series of twelve paintings illustrates   / Pausha / Magh and Phalguna.
           the text of the Baramasa (the song of the twelve
           months/ seasons) composed by the poet Keshav   This theme of the twelve-month cycle of seasons
           Das.  Each painting depicts a royal couple (a   has long been celebrated in the poetry, art
           nayika and a nayaka) seated facing each other on   and folk traditions of India.  Perhaps the most
           the carpeted outdoor terrace of a white marble   popular version is found in the tenth chapter of
           pavilion.  A landscape view in the background   the Kavipriya written by the poet Keshav Das
           of each painting reflects the seasonal village   of Orccha (1555-1617) which speaks of the joys
           activities associated with that month.   of love and pangs of separation experienced
                                            by couples within the context of the changing
           In one lively folio depicting the month of Bhadon   seasons.
           (July-August), the couple sit together speaking
           as the dark swirling clouds of the monsoon roll   For Rajasthani versions depicting this theme
           in.  The hero is dressed to leave.  The weather is   see the collection of the Victoria and Albert
           changing but it is still hot - elephants crazed by   Museum London IS.32-1980 depicting the
           heat-madness uproot trees in the background.    month of Karttik, and The British Museum
           Powerful wind gusts bend fully-leaved trees as   1999,1202,00.1.8 representing Bhadon. For
           the waters begin to rise, flowing rapidly from   Pahari illustrations of the subject see W.G.
           increasing rainfall.  On the terrace the nayika   Archer, Pahari Paintings, London, 1973 Vol. I and
           admonishes her beloved:          II, nos. 44 and 45, and M.S Randhawa, Kangra
                                            Paintings on Love, New Delhi, 1994, Plates XXI,
                                            XXII and XXIV.
                                            We would like to thank Mitche Kunzman for his
                                            assistance with this entry.
                                            $ 70,000-90,000
























           82      SOTHEBY’S          INDIAN, HIMALAYAN & SOUTHEAST ASIAN WORKS OF ART
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