Page 87 - Christie's Leisurely Life May 29, 2019 Hong Kong
P. 87

PROPERTY FROM THE WATER, PINE AND STONE RETREAT
         COLLECTION
         2963
         A CONFUCIUS-STYLE ‘AUTUMN JADE IN A COLD  ᒞᕴ   ׁ᪺   ྱ㈼ڌ㘞Ǘഄᯕ⏰ἕǘͩൎམᾦ
         POND’ LACQUERED QIN
                                                           ϝᬝ
         LATE MING-EARLY QING DYNASTY
                                                                ჺ߿ᇌᙻ㲞ᳰ㐟⯇৿ڟ௯ࢷ೥
         The qin is of Confucius style, waisted along two ends of the body
                                                           ᭢៏⒢ྒྷᏑⅧ⻦
         tapering to the zitan jiaowei, ‘burnt end’, the upper surface gently
         convex and inlaid with mother-of-pearl studs, hui, supported by   ⇂ἃօཪᅴǯ㬷័ޒㅆ⡠卿ᄓ័᱁᭢ᙷ⡠ǯ⇂⫫㬷㯝⽔リᥓ㯪
         two hongmu pegs, yanzu, ‘wild geese feet’, the seven tasselled tuning   ߴಃ㞖厍Ǹ༠ᷱ☌ℱǹ卿ӴᙹߴリᝧǸ᲎㎜ᙻ㬦卿᳸ᇵᙻḲ卿
         pegs, zhen, protected by two finials, huchen. The underside has
                                                           فփ⚁ᚺ卿ಗ⯝ಋ㙭ǯᄮᾭӿ⊒ǯ㑘ࢨ᭄㠺ǹǯ
         two rectangular sound holes, termed as the longchi, ‘dragon pool’
         and the smaller as fengzhao, ‘phoenix pond’. The name of the qin   ᇍا卿ໃ㑘ࢨ卿ᇍ↸ຽǯ‪ຽْ՞மἃᄮᾭ㫇᫈ჺ㧿ⶬल⇂།ǯ
         is incised above the longchi, Hantan qiuyu, ‘Autumn Jade in a Cold   ᇍ↸᫓⣌Ӳࢦ㱛ჺ卿⤔ᎰǶՆ⒖䁗⇂㍆Ƿ卿ݳᘘप᰾ݬ⇂ᝢ
         Pond’ in gold pigment, above a poem followed by the date Kangxi   ӲࢦӲ㲛卿ዂᇍ↸⤔Ꮀᇌ卿㘆ݪࢦჺᇌᏝ⊐ᇍا㇩ᇑ⒖㮥ॶ㷥
         bingshen, ‘in the bingshen year of the Kangxi period’, corresponding   གԆᇑݯჲࡂᇌᙹᇑ߅‸卿ᙻᄮᾭݪࢦӬჺ卻    卼⤔ࣇ卿㫇
         to 1716, and the signature Yueqian shi ming, ‘inscribed by Yueqian’
                                                           ᫈Հჺ卻    卼Ꮀᝧ卿ݬݨ࣍ǯǯ
         in red.  The lacquer of the surface board is suffused with ‘ice’
         crackles, and the bottom board with ‘running-water’ crackles.
         Overall length: 49 º in. (126.1 cm.)
         Width of shoulders: 7 ¬ in. (19.3 cm.)
         HK$600,000-800,000              US$77,000-110,000

         PROVENANCE
         Dr. Tong Kin-Woon, Hong Kong, acquired circa 1980
         The title of the qin derives from the concept of the clear sound
         made by throwing a jade pebble into a clear pond in Autumn
         when the air is clear and crisp. The poem may be translated
         as:
         Enclose all phenomena in emptiness;
         When played, thoughts are concentrated in simplicity.
         Enjoy the universe;
         Once attained, the dusty world slips far away. 
         The signature inscribed on the bottom board belongs to Xu
         Yueqian, who and his father Xu Qiguang were both pre-
         eminent qin scholars of the early-Qing period. One of Xu
         Qiguang’s greatest achievements is the compilation of thirty-
         three qin scores known as the Wuzhizhai qinpu [Musical
         scores from the Studio of Five Awareness], whose publication
         was postponed until 1724 when his son Xu Yueqian was finally
         able to secure funding.









                                                                               inscription
                                                                                 㠺ᙔ



       86
   82   83   84   85   86   87   88   89   90   91   92