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                                                                                          A THANGKA OF CHEMCHOK HERUKA
                                                                                          Tibet, 18th century
                                                                                          Distemper on cloth, with silk mount, framed
                                                                                          and glazed.
                                                                                          62 x 40.7 cm (24 1/2in x 16 in);
                                                                                          With silk mount: 103 x 65.5 cm
                                                                                          (40 1/8 x 25 6/8 in).

                                                                                          西藏十八世紀 赫魯嘎像

                                                                                          Referenced 參考: Himalayan Art Resources
                                                                                          item no.2211

                                                                                          Provenance 來源: The Jongen-Schleiper
                                                                                          Collection of Fine Thangkas

                                                                                          The winged Chemchok Heruka surrounded by
                                                                                          numerous deities related to the transmigratory
                                                                                          visions in the intermediary stage between
                                                                                          death and rebirth known as Bardo, as
                                                                                          described in the ‘Bardo Thodol’ (‘Tibetan
                                                                                          Book of the Dead’). The painting aims to
                                                                                          prepare the devotee for the after-death
                                                                                          experience.

                                                                                          Compare with a thangka of Chemok Heruka,
                                                                                          19th century, in the Collection of the Newark
                                                                                          Museum, illustrated by M.M.Rhye, Wisdom
                                                                                          and Compassion: The Sacred Art of Tibet,
                                                                                          New York, 1999, p.19, no.60.

38

38                                          The twelve-armed deity with four faces at     Chakrasamvara and his consort Vajravarahi
A THANGKA OF CHAKRASAMVARA AND              centre, holding aloft a flayed elephant skin  are the principal deities of the Anuttarayoga
VAJRAVARAHI                                 in the upper hands and ritual weapons and     or Highest Yoga Tantra. The former,
Tibet, 17th/18th century                    implements in the other ten hands. He is      Heruka manifestation of Shakyamuni
Distemper on cloth, with mount, framed and  joined in ecstatic union with Vajravarahi,    Buddha, Chakrasamvara is the principal
glazed.                                     standing upon prone and contorted human       transformational deity (yiddam) of the Gelug
66.5 x 44.5 cm (26 2/8 x 17 1/2 in);        figures within the flaming halo of pristine   School of Tibetan Buddhism. Producing the
With silk mount: 130 x 71.5 cm              awareness, holding a kartrika in the raised   vajrahumkara mudra by crossing the vajra
(51 1/8 x 28 2/8 in).                       right hand. The divine couple are surrounded  and the ghanta in his hands, their blissful
                                            by lineage masters, adepts, Vajrabhairava     embrace symbolises the fulfillment of Wisdom
西藏十七/十八世紀 勝樂金剛擁妃像                           with Vajravetali, and Chamsing Begste Chen.   and Compassion dissolving into one perfect
                                                                                          penetrative union.
Referenced 參考: Himalayan Art Resources
item no.2165                                                                              Compare with a related thangka depicting
                                                                                          Chakrasamvara and his consort, 17th/18th
Provenance 來源: The Jongen-Schleiper                                                       century, sold at Sotheby’s New York,
Collection of Fine Thangkas                                                               17 September 2014, lot 405.

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