Page 126 - September 21 2021 Important Japanese Art Christie's NYC
P. 126

158 KATSUSHIKA                    HOKUSAI             (1760-1849)


               Irises and Grasshopper


               Woodblock print, from an untitled series
               known as 'Large Flowers', signed Saki no
               Hokusai Iitsu hitsu, published by Nishimuraya
               Yohachi (Eijudo), circa 1833-34
               Horizontal oban: 9¬ x 14¡ in. (24.4 x 36.5 cm.)


               $60,000-80,000


               PROVENANCE:
               Henri Vever (1854-1943), Paris, sold Sotheby's, London,   An agile green and orange grasshopper is making its way down
               Highly Important Japanese Prints, Illustrated Books and   the slender edge of the central leaf of a stand of irises in a blue
               Drawings from the Henri Vever Collection: Part II, 26   pond. The younger shoots are light green and the blossoms pale
                                                                    and darker purple with inner licks of yellow. The vertical fold
               March 1975, lot 290
                                                                    and residue of adhesion on the verso suggest the print once was
               Huguette Berès (1914-1999), sold Sotheby’s, Paris,
                                                                    mounted in an album in the tradition of The Mustard Seed Garden
               Collection Huguette Berès: Estampes, Dessins et Livres
                                                                    and other popular bird-and-flower books. It is widely remarked
               Illustrés Japonais (Première Vente), 27 November 2002,   that ukiyo-e of irises, this Hokusai image in particular, were the
               lot 98.                                              inspiration for Van Gogh’s Irises in the Getty Museum.
                                                                    Those details are effectively irrelevant to the point of Hokusai’s
               LITERATURE:
                                                                    drawing: the pulse of nature. The flowers have a mutual rhythm,
               Jack Hillier, Japanese Prints and Paintings from the Vever   arching and twisting as if in a dance. We see them in close-up
               Collection, vol. 3 (London: Sotheby Parke Bernet; New   at eye-level––in their realm, not looking down from ours. Each
                                                                    of the ten recorded images in the untitled set have this unusual
               York: Rizzoli, 1976), no. 699, p. 709.
                                                                    perspective and vibration.
                                                                    Henri  Vever  is  as  renowned  as  a  connoisseur  of  Japanese  art
                                                                    as he is as a designer of art-nouveau jewellery. His red seal on
                                                                    Japanese prints, as here, is a hallmark of quality. Print collectors
                                                                    are  envious  of  the  glorious  conditions  Vever  enjoyed  in  the
                                                                    decades around 1900, when thousands and thousands of ukiyo-e
                                                                    were circulating in Europe. Vever had the eye and connections

























               Vincent Van Gogh (1853 - 1890). Irises. France. 1889.
               The J. Paul Getty Museum, Los Angeles, 90.PA.20
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