Page 34 - Yuan Dynasty Ceramics
P. 34

Chapter 07 (pp. 330-385)_Layout 1  7/7/10  5:42 PM  Page 363




            Neiyao  kiln,  Jingdezhen  continued  to  provide  tribute  known as Fuliang county in Raozhou prefecture. During
            wares to the Northern Song court. When the Song capi-  seventy-four years of operation, the Yuan imperial kiln
            tal was relocated to Lin’an (present-day Hangzhou), the  was known as the Imperial Clay Kiln (Yutu Yao) and the
            Department  of  Palace  Supply  not  only  ordered  wares  Fuliang  Porcelain  Office  (Fuliang  Ci  Ju). 131  Given  the
            from  private  kilns,  but  also  produced  imperial  (guan)  Mongols’ cultural and aesthetic sensibilities, it is to be ex-
            wares at two sites near the Southern Song palace. 127  Dur-  pected that they would have been drawn to the ceramics
            ing the reign of the Southern Song emperor Gaozong (r.  of Jingdezhen made with pure white porcelain clay, such
            1127–1162), Cheng Dachang (d. 1195) indicated that the  as the renowned twelfth- and thirteenth-century qingbai
            court preferred white tea bowls, which were supplied by  bowls  that  competed  for  favor  with  the  late  Southern
            the kilns of Jingdezhen as tribute. 128  Some tribute quality  Song  celadon  tea  bowls  from  Longquan. 132  Numerous
            wares  from  the  Hutian  kilns  of  Jingdezhen  have  been  historical references make it clear that the Mongols con-
            found in datable Southern Song and Yuan tombs, cor-  sidered  the  color  white  auspicious  and  apotropaic.  In
            roborating the historical texts.                     1206, a white banner with nine fringes was constructed
                                                                 for the use of the Mongol leader, Temüjin (1167–1227), af-
              The Ascendancy of Jingdezhen
                                                                 ter his unifcation of the Mongols, when, at the source of the
              From  1004  to  the  present,  then,  the  artisans  of  Wonan River (Kente Mountain, the People’s Republic of
            Jingdezhen have produced their finest works for China’s  Mongolia), he took the honorable title Chinggis (Genghis).
            ruling elite. 129  It was not until the Yuan dynasty, however,  His grandson Khubilai Khan conferred on Genghis Khan
            that Jingdezhen became the imperial and most prominent  (as he is usually known) the posthumous title of Yuan Taizu,
            kiln  in  China.  Indeed,  Jingdezhen  remained  the  leading  Emperor Taizu of Yuan with his reign lasting from 1206-
            provider of porcelain to the world until the eighteenth cen-  1227 and this is the source of the occasional dating of the
            tury. By that time many nations throughout the world had  Yuan dynasty from 1206. As grand khan of the Mongol em-
            learned the secret of creating porcelain.            pire,  Genghis  Khan  is  reported  to  have  said,  “The  Beiqi
              Jingdezhen was situated in a very desirable location.  [high-ranking title] is the noblest position . . . When you are
            The mountains in northeastern Jiangxi province created  the Beiqi, you can ride the white horse, wear the white dress,
            a protective barrier for Jingdezhen during wartime and  and sit above the people to be respected during discussions
            made overland travel arduous. Luckily, the city also lies  on the selected auspicious days.” He also bred thousands of
            on the banks of a tributary to the Chang River, which  snow white horses, and only those directly related to him
            joins the Yangtze River to the north and flows southeast-  had the right to drink the mare’s milk. White falcons, used
            ward to Lake Poyang, the largest freshwater lake in east-  for hunting swans, were also considered to be good omens
            ern  China.  The  area  is  blessed  with  rich,  high-quality  and were gifts to Genghis Khan. 133  Consistent with the tra-
            deposits  of  porcelain  stone,  the  sole  component  of  dition of hunting swans and geese in the springtime, Khubi-
            tenth-century  wares.  Another  kind  of  clay  known  as  lai and his party are often painted with a variety of white
            kaolin, a term derived from Gaolin Hill near Jingdezhen,  animals and accoutrements (see Fig. 7.1).
            began to be added later and offered several advantages: it  White  was  prominent  in  other  imperial  contexts  as
            made working the prepared clay easier, it increased the  well. In 1253, the aristocratic Tibetan monk Phagspa be-
            range of temperatures that could be used for firing, and  came a spiritual mentor and adviser to Khubilai and his
            it  enabled  the  production  of  hard,  white,  translucent  senior  wife,  Chabi.  Khubilai  gave  Phagspa  a  white
            porcelain. Lush pine forests provided an abundance of  dharma conch shell and authority over all three provinces
            timber and created a reduction atmosphere in the kilns,  of Tibet. At Phagspa’s suggestion, a white umbrella was
            giving the glaze the pale blue green tone known as qingbai  erected over the imperial throne in the Grand Bright Hall
            or yingqing. 130                                     (Daming  Dian)  in  Khubilai’s  southern  capital,  Dadu.
                                                                 White umbrellas were used during Buddhist ceremonies
              Auspicious White Porcelain
                                                                 in tandem with other objects, such as porcelain statues, as
              Khubilai Khan adopted the dynastic title of Yuan in  high-ranking officials and others moved under the escort
            1271, establishing his winter residence at the former Jin  of honor guards around and outside the capital. These
            dynasty capital at present-day Beijing, which he renamed  parasols symbolized protection of the country from evil
            Dadu (meaning great capital). In 1278, as part of imperial  spirits  and  other  ominous  dangers.  The  large  qingbai
            protocol,  he  established  the  Yuan  imperial  kiln  at  the  sculptures, like the figure Guanyin excavated in Beijing,
            Jingdezhen porcelain center, which was in an area then  were also used for such ceremonies (Fig. 7.44). 134

                                                                                                   Yuan Dynasty Ceramics  363
   29   30   31   32   33   34   35   36   37   38   39