Page 54 - Jie Rui Tang Kangxi porcelain mar 2018
P. 54
Fig. 1 Mallet vase with warriors. China; Jiangxi province,
Qing dynasty, Reign of the Kangxi emperor (1662 - 1722).
Porcelain with overglaze polychrome decoration. Asian
Art Museum of San Francisco, The Avery Brundage
Collection, B60P1237. Photograph © Asian Art Museum
of San Francisco
㕬♧ 幢䐁擳 ❀䕙問圖櫖 莍ꆄ㿋❏崎谁遯⽈暟긭 Avery
Brundage 佐询 B60P1237
h 莍ꆄ㿋❏崎谁遯⽈暟긭
Vases of similar impressive dimension of this superlative quality and 㽯㼄湱鵛ծ粭➃暟㕭⛓⢾〳嫱Ⰾ⟝ⴀ荈 John
brilliantly painted with densely populated " gural scenes are exceptionally L. Severence 佐诡1936䎃䯩飨✮⯘ⵄ㣗貼
rare. There appears to be only one other vase that closely compares 谀遮⽇暟긬䖔㈒倴秢秉⢕㡦䖤2000䎃9剢21
with the present example, in the Asian Art Museum, San Francisco and 傈箠贪324粭滞劊㸽翸剚箠贪322粭滞
illustrated in R. L. d’Argencé Chinese Ceramics in the Avery Brundage ➲侣顭銯桬嫢植㿂悦誩㛔佐询姽㢫〳嫲侸
Collection, San Francisco, 1967, pl. 68 and again by He Li, Chinese ⢿粭滞㢵➃暟Ⱖ♧㈒倴⧍侚豤㺢嫲2007䎃
Ceramics A New Comprehensive Survey, New York, 1996, pl. 646 11剢7傈管贫329〥♧⢾粭傹ꤿꕶ䨞㕭诡
( g. 1). The vase features a large o> cial gathering as the Song dynasty 倴 Taft Museum鳟鳟齡䲿⤜❞⤜䊜㕭鯺
Zhenzong emperor bestows an honorary seal on the Generals of the 倴շAs You Wish, Symbol and Meaning
Yang family. The meticulously rendered " gures (of which there are on Chinese Porcelains from the Taft
an impressive 56) are painted with the same consummate skill that Museumո螟繠⼿鹍爢秢秉1994䎃㕭3갤
distinguishes the present example. 13〥嫱♲⢾ⴀ荈 Benjamin Altman 佐诡植诡
秢秉㣐鿪剚谀遮⽇暟긬箠贪14 40 85ծ14 40 83
Other vases of equivalent dimension and " nely enameled with " gural
⿺14 40 331㼿剣♧⢾ⴀ荈 J Goldschmidt
scenes include two from the John L. Severence Collection, donated to
佐诡㕭鯺倴շAusstellung Chinesischer
the Cleveland Museum of Art in 1936 and sold at Christie’s New York
Kunstո厣卌1929䎃갤330箠贪892կⱄ
21st September 2000, lot 324 with a scene depicting a large o> cial
嫱Ⰾ⢾✿䕙啎圔櫔㽯㼄湱鵛㕭鯺倴 R L
gathering, and lot 322 depicting an elaborate festival honoring the Queen
HobsonշThe Leonard Gow Collection of
of the West, Xiwangmu, now in the Jie Rui Tang Collection. Other similar
Chinese Porcelainո⧍侚1931䎃㕭晜XXV⿺
examples with numerous " gures include one sold in our London rooms,
XLVIIIa 罏粭畮⼯眎䣓䖔罏粭犷犗㡽♲僤կ
7th November 2007, lot 329; one depicting The Tale of Kunyang City in
the Taft Museum, Cincinnati, Ohio illustrated in As You Wish, Symbol and ⱄ 〳 嫱 鯱 侷 ⢾ 㽯 㼄 湱 鵛 粭 ⯕ 둷 桊 秙
Meaning on Chinese Porcelains from the Taft Museum, China Institute Ⱖ♧㕭鯺倴 Walter BondyշKang hsiո䢏㽲
Gallery, New York, 1994, " g. 3, p. 13; three from the Benjamin Altman 랱1923䎃갤136⿺140❠鋅Ⰾ⢾ⴀ荈 John D
Collection in the Metropolitan Museum of Art, New York, acquisition Rockefeller 佐诡⿺㣐鿪剚谀遮⽇暟긬㈒倴秢
nos. 14.40.85, 14.40.83, 14.40.331; and another from the collection of 秉⢕㡦䖤2016䎃9剢15傈管贫870⿺871կ
J. Goldschmidt illustrated in Ausstellung Chinesischer Kunst, Berlin,
1929, cat. no. 892. Additionally two further examples of famille-verte
rouleau vases of similar size are illustrated in R. L. Hobson, The Leonard
Gow Collection of Chinese Porcelain, London, 1931, pls. XXV depicting
a dragon boat festival scene and XLVIIIa painted with the ‘Three Star
Gods’.
52 SOTHEBY’S