Page 89 - Jie Rui Tang Kangxi porcelain mar 2018
P. 89

Fig 1. Famille-Verte Vase, Taft Museum of Art, Cincinnati,
                                                                           Ohio. Bequest of Charles Phelps and Anna Sinton Taft.
                                                                           Courtesy of the Taft Museum of Art, Cincinnati, Ohio.
                                                                           Photography by Tony Walsh, Cincinnati, Ohio




           The painting on this vase depicts one of the   Two years later, Liu Xiu successfully paci! ed   own e$ orts and those of a celebrated historic
           turning points in the decline of Emperor   remaining rebel groups, stabilized the Han   leader who uni! ed the population and paved
           Wang Mang’s Xin dynasty (9-23 C.E.) and the   empire, and ascended the throne as the   the way for two further centuries of dynastic
           restoration of the Han dynasty. The decisive   Guangwu emperor.  continuity. The presence of the Goddess of
           battle depicted at Kunyang City took place on                   Immortality at the neck of the vase, echoes the
                                           In the present depiction, Liu Xiu leads the
           July 7th, 23 C.E.                                               wish for (dynastic) perpetuity.
                                           pack, charging on horseback with his blade
           At Kunyang, Liu Xiu convinced the local rebels,   raised to strike the ! nal blow to his nemesis.   A famille-verte rouleau vase with this subject
           known as Lülin (the Green Forest), to stay   Wang Xun, riding a Buddhist lion, attempts   matter and a strikingly similar composition
           in the city and defend its walls against the   a hasty retreat. He and the beasts are   in the collection of The Taft Museum in
           massive army led by Wang Mang’s deputies   enveloped in a speckled green cloud issuing   Cincinnati, Ohio is illustrated in David T.
           Wang Xun and Wang Yi. As the Xin army laid   from a double-gourd carried by a demon. This   Johnson, ‘Narrative Themes on Kangxi
           siege to Kunyang, Liu Xiu covertly escaped   element adds a new dimension to the story,   Porcelains in the Taft Museum’, Orientations,
           and rallied thousands of sympathetic troops   suggesting that mystical forces intervened on   August 1993, ! g. 3 (  g. 1). Another rouleau
           from neighboring counties. Upon their return,   behalf of Liu Xiu to restore rightful rule.  vase with this narrative, from the collection
           Liu led a small army through Kunyang’s                          of Dr. Ip Yee, sold in our Hong Kong rooms,
                                           The story of Liu Xiu’s victory at Kunyang may
           gates to attack the Xin forces head-on while                    19th November 1984, lot 224, and again in
                                           have had particular signi! cance in the Kangxi
           the additional Han soldiers ambushed Wang                       those rooms, 20th May 1986, lot 143. A slightly
                                           period. Following the upheaval of dynastic
           Xun’s army from all directions. Liu Xiu killed                  smaller yen yen vase featuring this episode on
                                           change in the mid-17th century, the Kangxi
           Wang Xun in the battle. As the surviving Xin                    the body and a deity of immortality at the neck
                                           emperor was responsible for solidifying and
           troops " ed, a " ash " ood erupted and drowned                  is in the collection of the Victoria and Albert
                                           legitimizing Qing rule by suppressing rebellions
           many. The Xin army was utterly defeated and                     Museum (acc. no. C.1276-1910).
                                           within the empire and along its borders. This
           did not recover from the events at Kunyang.
                                           vase visually presents a parallel between his
                                                                             KANGXI: THE JIE RUI TANG COLLECTION  87
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