Page 91 - Jie Rui Tang Kangxi porcelain mar 2018
P. 91

352     A FAMILLE-VERTE                 ⌲Ꮴ⛆   ㉍̶ᒖȪ₟ჿ̶ࣸȫびみ
                   BISCUIT ‘THREE
                   FRIENDS’ BRUSHPOT


                   Qing Dynasty, Kangxi Period     ҳ⎽
                                                   䊼랫⢕㡦䖤2002䎃11剢26傈管贫98
                   naturalistically modeled as a circular grove
                                                   A   J Speelman⧍侚2003䎃
                   of bamboo, the noded stalks joined by
                   overlapping leaves forming the rim of the
                   openwork vessel,  a pine tree with a twisting   ܧ❵
                   and bent aubergine-glazed trunk and a prunus   Cecile ⿻ Michel BeurdeleyշA Connoisseur’s
                   tree studded with small white blossoms   Guide to Chinese Ceramicsո秣秉1974䎃
                   emerging from a gnarled aubergine branches   㕬晝124
                   applied around the exterior complete the
                   ‘Three Friends of Winter’, a yellow-glazed
                   vertical scholar’s rock separating the trees
                   on either side, all on a bright emerald-green
                   ground, the unglazed base impressed with a
                   chrysanthemum " owerhead within a double
                   circle, coll. no. 1500.
                   Height 4⅞ in., 12.4 cm
                   PROVENANCE
                   Christie’s Paris, 26th November 2002, lot 98.
                   A & J Speelman, London, 2003.
                   LITERATURE
                   Cecile and Michel Beurdeley, A Connoisseur’s
                   Guide to Chinese Ceramics, New York, 1974,
                   pl. 124.
                   During the Kangxi period potters revisited
                   many earlier techniques adapting, adjusting
                   and ultimately recreating glazes in novel
                   ways. The sancai glaze of the Tang dynasty
                   reappeared and, when applied directly to
                   biscuit, proved particularly well-suited for
                   ! gures and forms with molded, incised
                   and applied decoration. The technique
                   was especially popular for producing
                   scholar’s objects. The present brushpot
                   exempli! es both the taste for archaism and
                   naturalism popular among literati at the
                   time. Simultaneously rustic and re! ned, this
                   superbly detailed representation of vibrant
                   green bamboo provided a scholar with a useful
                   object, replete with auspicious meaning and
                   an invigorating breath of nature while working
                   indoors.
                   Brushpots in this form were also made with
                   an overall turquoise glaze, for example, a
                   pair in the collection of Anthony Gustav de
                   Rothschild, illustrated in Regina Krahl, The
                   Anthony de Rothschild Collection of Chinese
                   Ceramics, vol. 2, London, 1996, cat. no. 262.
                   A related brushpot, but also turquoise-glazed,
                   from the E. T. Chow Collection sold in our
                   Hong Kong rooms, 27th May 2014, lot 92.
                   $ 15,000-25,000






                                                                             KANGXI: THE JIE RUI TANG COLLECTION  89
   86   87   88   89   90   91   92   93   94   95   96