Page 43 - Deydier VOL.2 Meiyintang Collection of Chinese Bronses
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Fangyi  方彝                                       Gong  觥
 The  fangyi is, as  its  Chinese  name  indicates,  a square or   The gong, sometimes pronounced guang, is a large vessel
 rectangular vessel, similar to a small house with its four walls   for fermented beverages, with a lower section in the shape
 and a roof-like cover of four sloping sides.                     of a sauceboat supported by a ring foot and an upper section
                                                                  consisting of a long cover in the shape of the back and head
 The Chinese character ‘yi’ 彝, which is frequently found in       of an animal.
 inscriptions, is the general term used in ancient Chinese for
 ritual or sacrificial vessels. The term ‘fangyi’ or square yi first   First appearing during the  Yinxu period  of the  Shang
 appears in the Song dynasty work Kaogu tu (考古圖) a record         dynasty, the gong continues to be used until the middle of
 of ancient bronzes and other antiquities in the  Imperial        the Western Zhou dynasty, at which time the vessel’s ring
 and private collections  with illustrations and inscriptions,   foot is sometimes replaced by four small feet.
 compiled by the scholar Lü Dalin (呂大林)  in 1092 ad.
                                                  The shape of this bronze is sometimes said to have been adapted from earlier
 Although  nowadays  the  fangyi is  generally  classed  among   vessels for fermented beverages mentioned in ancient classical texts as having
 vessels used for fermented beverages, we cannot be certain as to its actual use in   been  made from the  horns of buffaloes.  This theory seems  to have been
 antiquity.  Chinese antiquarians of the Song, Ming and Qing dynasties believed   confirmed by the discovery in 1959 at Shilou Taohuazhuang in Shanxi province
 the fangyi was used to hold food.  In recent times, eminent archeologists and   of a bronze buffalo-horn-shaped gong with its narrower front section ending
 scholars such as Chen Mengjia (陳夢家) and Bernhard Kalgren hold to the   in the head of a horned dragon.
 same view, but others such as Rong Geng (容庚),  Ma Chengyuan (馬承源)
 and Minao Hayashi (林巳奈夫) regard the fangyi as a vessel for fermented
 beverages.                                       Gu  觚
                                                                The gu is one of the most common bronze goblets used for
 The fangyi form, known in pottery since the Neolithic period, also appears in   fermented-beverage  libations. Its chalice-shaped  body  is
 white marble  during the Shang dynasty.  The first fangyi in bronze seems to   flared in its upper part and at its base. Slightly protruding at
 appear at the beginning of the Yinxu period of the Shang dynasty or perhaps   the middle, it is sometimes flanked by four flanges, or cast
 during the transitional phase between the end of the Erligang period and the   with a décor in  open work,  or,  extremely  rarely,  the whole
 beginning of the Yinxu period.                                 vessel may be of a square shape.

 The fangyi disappears at the beginning of the Western Zhou dynasty after   The term  gu, which is not mentioned  in early bronze
 having undergone  some  morphological  changes  such  as the  addition of   inscriptions, appears  in the  Shuowen (說文解字) written
 flanges, or protruding design parts, or even lateral handles in the shapes of   during the Western Han dynasty and other early encyclopedic
 elephant trunks, making the later-period vessels look quite Baroque.  dictionaries and the term was confirmed in usage by the Song
                                                                scholar Lü Dalin  (呂大林) in 1092 in his book the Kaogu tu
                                                                ( 考古圖).
 Fu  簠
 The term fu was employed very early on in classical texts to   Very common in ceramic during the Neolithic period and the Erlitou culture
 refer to a vessel used to hold offerings of millet during rituals.   period, the gu vessel appears in bronze at the beginning of the Shang dynasty
 This oblong vessel of rectangular form with upwardly sloping   during the Erligang period. At that time the gu is small in size but roughly cast
 sides in its bottom section, is supported by a flared foot  and   with thin walls. Its chalice shape is like an uninterrupted vertical line from its
 topped  by a cover with downwardly sloping sides  of the   foot to its rim. It is usually decorated with a frieze of primitive taotie masks,
 same shape and size as its body and can be used as a second   or, much more rarely, its foot is decorated with geometric motifs in openwork.
 receptacle when placed upside-down.
                                                  During the  Yinxu  period,  the  gu  becomes,  with  the  jue, the  most  popular
 The fu appears during the end of the Western Zhou period, more precisely at   vessel, and is the basic set of vessels found in Shang tombs. The late Shang gu
 the end of the 9  century bc. and becomes very popular during the Spring and   is taller, slimmer and more elegant, and can be entirely covered with decor.
 th
 Autumn period.













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