Page 266 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
P. 266

CHAPTER  7  Porcelain  Dealers  and  their  Role  in  Trade


                            In the porcelain trade at Canton, porcelain dealers used samples to reduce their


                        risk. The risk that porcelain dealers have to face was rejection from supercargoes. In

                        the period before the late 1740s, competition between European companies depended


                        on  whether  they  could  purchase  enough  quantities  to  floor  their  ships.  However,

                        things changed when quality began to matter. Supercargoes might spend days looking

                        up musters or samples from porcelain shops before they started to buy or make any


                        order. Except for guaranteeing quantity, the quality of porcelain became the main

                        factor that the supercargoes concerned. So the porcelain dealers ran a risk that pieces


                        which could not meet their requirement might be rejected and left over in stock. From

                        1760  onwards,  presenting  porcelain  samples  became  more  important,  as  new


                        manufactures have been set up locally to produce pieces for export. The porcelain

                        dealers would make sure the presented patterns were accepted before putting them


                        into production. In this sense, presenting samples to clients was a way of reducing the

                        risk of being rejected.


                            Moreover, samples were used as a means of advertising. There are a group of

                        plates decorated in several patterns within one plate have survived, which are named

                                       22
                        ‘sample plates’.   These sample plates were decorated with multiple designs around

                        the rim and armorial devices and monograms in the centre. Each pattern was marked

                        by a number to illustrate a merchant's chosen style from the range available. Except


                        for monograms, each plate also bore numbered patterns. For example,  Figure 7-7

                        shows a sample plate of Victoria and Albert Collection, surrounding the border of


                        patterns, numbered 21, 22, 23, and 24. Of this collection, there is another piece that






                        22   There are two pieces in Victoria and Albert museum, museum numbers are: C.120-1923 and
                        C.121-1923.Two in Rijksmuseum, museum numbers are: AK-NM-13505 and AK-NM-13506.
                                                                                                      250
   261   262   263   264   265   266   267   268   269   270   271