Page 57 - The colours of each piece: production and consumption of Chinese enamelled porcelain, c.1728-c.1780
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CHAPTER  1  Introduction


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                        concentrated mostly on the ceramics of the Ming and earlier dynasties.   Zhu Yan,

                        the  author,  travelled  and  observed  the  production  at  Jingdezhen,  and  thus  his

                        monograph on porcelain was based on first-hand observations.


                            Records of Jingdezhen Ceramics was first published in 1815, originally written

                        by Lan Pu  蓝浦  and translated into French and English in the mid-nineteenth century


                                                           89
                        and twentieth centuries respectively.   This thesis will consult both the original texts
                                          90
                        and the translation.   Western literature, such as the monographs written by Bushell,

                                                     91
                        is also useful for this research.
                            The  available  historical  records  on  porcelain  manufacturing  in  Canton  are


                        relatively  scarce,  and  more  scattered  than  those  of  Jingdezhen. Accordingly,  this

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                        research  will  draw  on  other  historical  documentation  such  as  travel  diaries    and

                        Chinese export paintings. I will introduce visual sources in the following section.

                            Most of the primary sources used in  this research are available in  the  digital

                        database from School of Oriental and African Studies’ library, SOAS, University of


                        London. By consultation of textual records of Jingdezhen porcelain production, I am

                        able to demonstrate the processes of enamelled porcelain production, which provide


                        this thesis background information of eighteenth century Jingdezhen.






                        88   In the 1890s, Stephen W. Bushell completed a translation of the Tao Shuo, which was published
                        in 1910 under the title of Description of Chinese Pottery and Porcelain (London, 1910).
                        89   The  translation  of  French  was  produced  by  Julien  Stanislas,  Histoire  et  Fabrication  de  la
                        Porcelaine Chinoise (Paris, 1856). A full English translation was published by Geoffrey Sayer,
                        Ching-te-chen taolu or The potteries of China (London, 1951). It has recently been the subject of
                        a  chapter  of  a  Ph.D.  thesis  by  Ellen  Huang,  ‘China’s  China:  Jingdezhen  Porcelain  and  the
                        Production of Art in the Nineteenth Century’, (University of California, 2008).
                        90   For the full text in Chinese records, see Lan Pu, Jingdezhen taolu [Records of Jingdezhen
                        Ceramics] (Jinan, 2004).
                        91   Stephen, W. Bushell, Oriental Ceramic Art (New York, 1899).
                        92    There  are  diaries  both  written  by  Chinese  and  traders.  See  Zeng  Yandong(1750-1830,
                        Xiaodoupeng  [Little  Bean  Shed],  (Jinan,  2004).  Alfred  Spencer,  Memoirs  of  William  Hickey
                        (London, 1925).
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