Page 102 - Robert Youngman Collection Of Chinese Jade March 2019 Sotheby's
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           A PALE CELADON AND RUSSET JADE ‘MOUNTAIN’ BRUSHREST
           QING DYNASTY, 18TH CENTURY
           carved in the form of a jagged mountainscape of rugged overlapping peaks, the craggy surfaces and steep cliffs serving as a lofty backdrop to a
           thatched pavilion and a tall wutong tree, a scholar in flowing robes walking across a bridge over a small stream nearly, the reverse with a lone pine
           tree amidst rockwork, the jade an even light celadon color with russet inclusions, fitted wood stand (2)
           清十八世紀   青白玉雕山亭高士圖筆擱

           Length 5¾ in., 14.6 cm
           $ 20,000-30,000

           PROVENANCE                           來源
           Purchased in Hong Kong, 1964.        購於香港,1964年
           EXHIBITED                            展覽
           Spirit and Nature: Visions of Independence, Middlebury   《Spirit and Nature: Visions of Independence》,
           College, 1990, cat. no. 28.          明德大學,1990年,編號28
                                                出版
           LITERATURE
           Robert P. Youngman, The Youngman Collection of   羅伯特•楊門,《楊門藏玉:中國玉器·新石器時代至清代》,
                                                芝加哥,2008年,圖版200
           Chinese Jades from Neolithic to Qing, Chicago, 2008,
           pl. 200.


           Functioning as a brushrest, paperweight, and work of art in its own right, this refined carving met the utilitarian needs and aesthetic taste
           of Ming and Qing dynasty scholar-officials. Jade builders carved as mountains held a range of meanings for their original audiences. They
           represented miniature idealized landscapes which the owner could contemplate and mentally retreat into whilst in the studio. They also
           symbolized refuge from the troubles of court life, as well as a scholar’s self-reliance and integrity. Thus, these tabletop landscapes were
           carved in a variety of sizes, with the quality of the stone and the skill of the caver insuring both variety and unique characteristics in each of
           these treasured scholar’s objects.
           Compare a slightly larger jade ‘mountain’ formerly in the Avery Brundage Collection and now in the Asian Art Museum of San Francisco,
           obj. no. B60J285, featuring scholars walking amidst a rocky landscape. An inscribed imperial Qianlong period example sold at Christie’s
           Hong Kong, 30th May 2012, lot 4009. See also a ‘mountain’ brushrest very similiar in form to the present example, sold in our Hong Kong
           rooms, 1st June 2017, lot 5, carved with a dragon and makara emerging from the mountainous peaks.









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