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502 A LONGQUAN CELADON CARVED JAR 元十四世紀 龍泉青釉刻纏枝花紋荷葉蓋罐
AND COVER
來源
YUAN DYNASTY, 14TH CENTURY
大阪藤田美術館珍藏，入藏於1940年前。
The jar is carved around the sides with lotus scroll above a border of upright
lotus petals. The lotus leaf-form cover is carved with two lotus fowers 展覽
joined by intertwined tendrils around the stem-form fnial. The whole is
covered with a glaze of attractive pale bluish celadon tone ending at the foot, 大阪市立美術館，《日本陶磁の美と源流 : 第九十回特别展》，1981年4月29日
revealing an unglazed area which has fred dark orange and cants inward 至6月7日。
towards the inset base. 藤田美術館，《藤田美術館の至宝：国宝曜変天目茶碗と日本の美》，東京三得
利美術館，2015年8月5日至9月27日；福岡市美術館，2015年10月6日至11月
12æ in. (32.4 cm.) high, Japanese wood box 23日。
$100,000-150,000 文獻
PROVENANCE 《藤田美術館名品圖錄》，藤田美術館，東京，1972年，編號35。
《日本陶磁の美と源流 : 第九十回特别展》，大阪市立美術館，1981年，29頁，
Fujita Museum, Osaka, acquired prior to 1940. 編號18。
《藤田美術館の至宝：国宝曜変天目茶碗と日本の美》，藤田美術館，東
EXHIBITED 京，2015年，180頁，編號103。
Nihon Toji no Bi to Genryu (Beauty and Origin of Japanese Ceramics), 90th 元 14 世紀 龍泉青磁浮牡丹酒会壷
Special Exhibition, Osaka Municipal Museum, 29th April-7th June 1981.
Treasures of the Fujita Museum: The Japanese Conception of Beauty, The
Fujita Museum; Suntory Museum of Art, 5 August-27 September 2015;
Fukuoka Art Museum, 6 October-23 November 2015.
L I T E R AT U R E
Masterpieces in The Fujita Museum of Art, Fujita Museum, Tokyo, 1972,
no. 35.
Nihon Toji no Bi to Genryu (Beauty and Origin of Japanese Ceramics), 90th
Special Exhibition, Osaka Municipal Museum, 1981, p. 29, no. 18.
Treasures of the Fujita Museum: The Japanese Conception of Beauty,
The Fujita Museum, Tokyo, 2015, p. 180, no. 103.
46 IMPORTANT CHINESE ART FROM THE FUJITA MUSEUM
