Page 256 - Fine Chinese Ceramics and Works of Art II
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VARIOUS PROPERTIES
                                                                                                                   2397
                                                                                                                       A SLENDER PALE GREENISH-WHITE JADE VASE
                                                                                                                       18TH CENTURY

                                                                                                The vase is raised on a low pedestal foot and is fnely carved
                                                                                                in low relief around the lower body with a formal band of
                                                                                                linked ruyi heads and on the shoulder with another ruyi band.
                                                                                                The neck is carved with bands of archaistic motifs between
                                                                                                the pair of dragon-scroll handles, and rises to a lipped rim.
                                                                                                The stone is of even tone and softly polished.
                                                                                                7 in. (17.8 cm.) high, wood stand

                                                                                $70,000-90,000

                                                                                                                                                             PROVENANCE:

                                                                                                Private collection, Montreal, acquired in the 1960s

                                                                                                                   With the sparing low-relief carved decoration restricted to the
                                                                                                                   upper and lower borders of the vase the lapidary artist has left the
                                                                                                                   body of the vase uncarved to emphasize the natural beauty of the
                                                                                                                   unblemished white jade material.

                                                                                                                   The unusual attenuated form and thick mouth rim found on the
                                                                                                                   present vase appear to be related to incense tool vases produced
                                                                                                                   in various materials including cloisonné, bronze, lacquer and jade
                                                                                                                   during the Ming and Qing dynasties, but most notably during
                                                                                                                   the Qianlong period. The incense tool vase which accommodated
                                                                                                                   implements such as chopsticks and spatula for raking over ashes
                                                                                                                   would have been part of a garniture of three vessels, additionally
                                                                                                                   comprising a censer and an incense coil box, which would be an
                                                                                                                   integral part of the scholar’s desk.

                                                                                                                   The addition of the handles and the relatively large size of the
                                                                                                                   present vase, however, suggest that was made as a decorative
                                                                                                                   vase rather than a more utilitarian incense tool vase. A slightly
                                                                                                                   larger vase with a single raised band of low-relief carving on the
                                                                                                                   shoulder leaving much of the surface undecorated and a similarly
                                                                                                                   pronounced mouth rim is illustrated by R. Keverne in Jade, London,
                                                                                                                   1991, p. 151, fg. 56. Compare, also, a covered vase dated to the
                                                                                                                   18th century with closely related decoration of intertwined sashes
                                                                                                                   and ruyi head borders from the Collection of Baron George De
                                                                                                                   Menasce, sold at Doyle’s New York, 17 March 2014, lot 273.

                                                                                                清十八世紀 青白玉雕如意紋龍耳瓶

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