Page 32 - Fine Chinese Ceramics and Works of Art II

PROPERTY FROM THE COLLECTION OF GEORGE AND NETTIE FOWLKES, HOBE SOUND, FLORIDA
2165
A LARGE FLAMBÉ-GLAZED BOTTLE VASE
QIANLONG SIX-CHARACTER INCISED SEAL MARK AND OF THE PERIOD (1736-1795)

The heavily potted vase has an ovoid body that tapers to a cylindrical neck and is covered with
a rich streaked glaze of dark crushed-strawberry red and milky blue draining to mushroom at
the rim. The interior has a greyish-celadon glaze and the base a mottled celadon glaze.
18 in. (45.8 cm.) high

$60,000-80,000

PROVENANCE:

Private collection, New York, acquired before 1940, and thence by descent to the present
owner.

This distinctive glaze frst appeared during the Yongzheng period and seeks to recreate the famous
classical Jun wares of the Song dynasty. The splashes and streaks characteristic of this glaze are
described as yao bian, or ‘transmutation glaze’, which has been the subject of much research. For
a discussion of this topic see R. Kerr, Chinese Ceramics: Porcelain of the Qing Dynasty 1644-1911,
London, 1986, p. 75, and N. Wood, ‘The Evolution of the Chinese Copper Red’, by R. Scott (ed.),
Chinese Copper Red Wares, Percival David Foundation of Art, London, 1992, pp. 29-30.
The potters at the imperial Jingdezhen kilns were charged with the task of reproducing these glazes
on porcelain. Such was the enthusiasm of the Yongzheng emperor for Jun glazes that the important
Taocheng jishi bei (Commemorative Stele on Ceramic Production), composed by the famous imperial
kiln director Tang Ying in 1735, lists no fewer than nine different Jun-type glazes, and noted that
fve of these were based upon ancient examples that had been sent from the palace in Beijing to the
imperial kilns hundreds of miles to the south at Jingdezhen, in Jiangxi province. In order to achieve
successful imitation of Jun glazes, Tang Ying went to considerable lengths, including sending his
secretary Wu Yaopu to Junzhou in 1729 to try and obtain the recipe for Jun glazes. This dedication to
the accurate recreation of Song dynasty glazes continued into the Qianlong period, and is evident on
the present lot.
A fambé-glazed vase with Qianlong mark, of similar size to the present vase, was sold at Christie’s
Hong Kong, 3 December 2008, lot 2571.

清乾隆 窯變釉膽瓶 六字篆書刻款

(mark)

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