Page 188 - 2020 November 30 Bonhams Rev. Richard Fabian Chinese Paintings and Calligraphy Hong Kong
P. 188

644
                 ZHU QIZHAN (1892-1996)
                 Autumn in the South of Yangzi River, 1958
                 Hanging scroll, ink and colour on paper, titled, inscribed and signed
                 Qizhan Zhu qi zai, dated 1958, with a second, second inscription by
                 the artist signed Qizhan with a dedication to artist Ying Yeping (1910-
                 1990) and one seal of the artist reading Zhu Qizhan.
                 34 x 44cm (13⅜ x 17⅜in)
                 HKD40,000 - 60,000
                 US$5,200 - 7,700
                 Published
                 Toda, Teisuke and Hiromitsu Ogawa comp., Comprehensive Illustrated
                 Catalogue of Chinese Paintings, Third Series, Volume 1: American
                 and Canadian Collections, University of Tokyo Press, 2013, A50-212,
                 p.220

                 Andrews, Julia Frances, Michael Knight, and Pauline Yao. Between the
                 Thunder and the Rain: Chinese Paintings from the Opium War Through
                 the Cultural Revolution, 1840-1979, San Francisco: Echo Rock
                 Ventures, in association with the Asian Art Museum Chong-Moon Lee
                 Center for Asian Art and Culture, 2000, p.243

                 Little, Stephen, and J. May Lee Barrett, New Songs on Ancient Tunes:
                 19th-20th Century Chinese Paintings and Calligraphy from the Richard
                 Fabian Collection, Honolulu: Honolulu Museum of Arts, 2007, pp.506-
                 507

                 Exhibited
                 Between the Thunder and the Rain, Asian Art Museum Chong-Moon
                 Lee Center for Asian Art and Culture, San Francisco, CA, October 25,
                 2000-January 14, 2001

                 New Songs on Ancient Tunes, Honolulu Art Museum, Honolulu, HI,
                 August 30-October 28, 2007

                 Provenance
                 Far East Fine Arts, San Francisco, California, 10 March 1998

                 朱屺瞻 江南秋 設色紙本 立軸 一九五八年作

                 款識:
                 江南秋。上海長興島寫景,時在一九五八年秋,屺瞻朱起哉。
                 野平同志教正,十七年後,屺瞻八十四歲。

                 鈐印:朱屺瞻

                 出版:
                 戶田禎佑、小川裕充,《中國繪畫總合圖錄》三編,第一卷,東京大
                 學出版社,東京,2013年,A50-212,頁220
                 Andrews, Julia Frances, Michael Knight, Pauline Yao,《風雲際會:從
                 鴉片戰爭到「文革」(1840-1979)的中國繪畫》,亞洲藝術博物
                 館,李鐘文亞洲藝術文化中心,舊金山,加州,2000年,頁243
                 Little, Stephen, J. May Lee Barrett,《古調新歌:費立哲牧師珍藏十九
                 及二十世紀中國書畫》,檀香山藝術博物館,夏威夷,2007年,頁
                 506-507

                 展覽:
                 《風雲際會:從鴉片戰爭到「文革」(1840-1979)的中國繪畫》,
                 亞洲藝術博物館,舊金山,加州,2000年10月25日至2001年1月14日
                 《古調新歌:費立哲牧師珍藏十九及二十世紀中國書畫》,檀香山藝
                 術博物館,夏威夷,2007年8月30日至10月28日

                 來源:
                 1998年3月10日購自美國加州舊金山遠東藝術中心

                 上款:「野平」為應野平(1910-1990)。浙江寧海人。一九二三
                 年,應野平赴滬,後入吳昌碩海上題襟館及黃賓虹、錢瘦鐵蜜蜂畫
                 社。五十年代中後期,上海美術界掀起上山下鄉熱潮,朱屺瞻、賀天
                 健等展開川峽之行,應野平亦多次深入邊疆、牧區寫生創作。

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