Page 104 - September 21 2021 MAnfred Arnold Collection snuff bottles Bonhams NYC
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476                                                   477









           476                                               477
           A MINIATURE GOURD SNUFF BOTTLE                    A RELIEF-CARVED AMBER SNUFF BOTTLE
           Attributed to Wentong, indistinct cyclical date, possibly 1870   1800-1880
           Of small rounded form, inscribed with an indistinct cyclical date,   Of spade shape, carved in a continuous scene with various Daoist
           possibly reading gengwu or gengzi year, corresponding to 1870 in   figures, a woman clutching a peach, possibly Xiwangmu, and her
           the first reading or 1900 or in the second reading, incised with black   attendant beneath a blossoming prunus on one side and two elderly
           highlights to depict a Daoist or Buddhist altar scene with figures   gentlemen near pine on the other, the narrow sides with lion-mask
           and identifying inscriptions, all below a short tapering inserted neck;   fixed-ring handles; stopper.
           stopper.                                          2 1/4in (5.7cm) high
           2 1/8in (5.5cm) high
                                                             $1,800 - 2,500
           $1,800 - 2,500
                                                             1800-1880 琥珀浮雕道教人物刻舖首衔环鼻煙壺
           或為1870年 傳文通 北京 天然葫蘆陰刻人物微型圖鼻煙壺
                                                             Provenance:
           Provenance:                                       Montclair Art Museum, New Jersey
           Alan Hartman, New York                            Robert C. Eldred, The Montclair Art Museum Collection, 27 August
           Robert Kleiner, The Alan Hartman Collection, 30 March 2007   2004, lot 188

           See the footnote to the previous lot 475 in this sale.  Exhibited:
                                                             International Chinese Snuff Bottle Society Convention, New York, 5-9
                                                             November 2013, no. 105

                                                             For a lengthy discussion of the production of amber snuff bottles and
                                                             the proliferation of Daoist subject matter, see Michael C. Hughes,
                                                             The Chester Beatty Library, Dublin, Chinese Snuff Bottles, Baltimore,
                                                             2009, pp. 198-199, no. 157. It is possible given the wide ranging
                                                             Daoist themes depicted on so many amber bottles that a particular
                                                             workshop, perhaps part of a Daoist community, was the leading
                                                             producer and that they found the mystical qualities of the ‘fossilized’
                                                             resin material somehow in balance or accordance with their own
                                                             alchemical leanings.


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