Page 38 - Bonhams Fine Chinese Art Nov 2013 Hong Kong
P. 38

225                                                                         Legend states that the Kangxi Emperor issued an
A fine and very rare blue-glazed saucer dish                                Imperial decree ordering that no piece of porcelain
Kangxi six-character mark and of the period                                 with his Imperial seal mark was to be made for
Covered all over in a rich midnight blue leaving the extremities with a     non-Palace use, for he was very superstitious
thinner layer of glaze, the base with a six-character Imperial kaishu seal  and believed that it would bring him bad luck
mark in underglaze-blue within double circles.                              should one of the Imperial porcelains break. This
15.6cm diam.                                                                further shows the rarity of the current lot which
HK$450,000 - 550,000                                                        is in perfect condition and bears the Imperial six-
US$58,000 - 71,000                                                          character seal mark.

清康熙 祭藍釉敞口盤 青花雙圈「大清康熙年製」楷書款                                                  Compare a similar but larger example of a blue-glazed dish also with
                                                                            Kangxi six-character mark in the Nanjing Museum, Nanjing, illustrated in
The Kangxi emperor (1662-1722) successfully re-established the Imperial     Treasures in the Royalty. The Official Kiln Porcelain of the Chinese Qing
kilns at Jingdezhen around 1680 after a long period of civil strife in      Dynasty, Shanghai, 2003, p.112.
China. The porcelain kilns were originally destroyed in 1675 but were
quickly restored. Much porcelain manufactured during this period is         康熙時期,政權趨於穩固,社會經濟恢復發展,康熙皇帝專門任命督陶
decorated with a clear and transparent underglazed-blue, where cobalt       官督理景德鎮製瓷,使其製瓷業得到全面發展。康熙一朝所燒製祭藍釉
blue was subtly applied in varying degrees of saturation to create depth    多數是仿造明代宣德寶石藍品種,類似的例子,參看南京博物院藏一件
and volume.                                                                 康熙祭藍釉盤,著錄於《宮廷珍藏中國清代官窯瓷器》,上海,2003
                                                                            年,頁112。
To make Imperial blue and white porcelain during the Kangxi period as
exhibited by the current lot, cobalt blue pigments are applied directly
with a brush onto the unglazed biscuit, then glazed and finally fired. The
porcelain would remain black before firing due to the richness of the
cobalt blue pigments applied on the surface, before finally developing
the range of blue tones on firing. The current lot has achieved a unique
deep and pulsating sapphire blue colour which demonstrates a generous
amount of cobalt blue pigment.

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