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Fig. 1
           Qing Gaozong yuzhi shiwen quanji [Anthology of imperial Qianlong poems and proses], Yuzhi wen chu ji [Imperial proses, vol. 1], juan 29: zan, pp. 1-2
           圖一
           《清高宗御製詩文全集.御製文初集》,卷29,贊,頁1-2






           The inscription at the top, finely inlaid with   imperial Qianlong poems and text], Yuzhi wen   The 4th Arhat Kalika
           jade, together with the meticulously detailed   chu ji [Imperial text, vol. 1], juan 29: zan, pp.   Shaking the rock, he leans his knee on it and
           figures on the lower section, tells the stories   1-3; Nick Pearce, ‘Images of Guanxiu’s Sixteen   there takes his rest. It is only this superior
           of eight eminent luohan, or arhats, close   Luohan in Eighteenth-Century China’, Apollo,   being, neither speaking nor silent, that has
           personal disciples of the historical Buddha   February 2003, pp. 25-31; fig. 1). The first part   such eyebrows that trail to the ground. As
           Shakyamuni. The iconography of the arhats is   of the text can be translated as follows:  he pulls them up by hand, does he not seem
           based on a legendary set of paintings, which   The 1st Arhat Angaja  to be sorting through clouds, and this shows
           fascinated the Qianlong Emperor and inspired                         how very fine they are.
           artworks in a great variety of media. The fine   Wearing a hundred-patch robe and leaning
           embellishments, on the other hand, testify to   on a proper bamboo staff, his Vedic ritual   The 5th Arhat Vajraputra
           the exceptional workmanship and effective   texts in a book case, he stares at his   Visage with high forehead and prominent
           cooperation of various artisans of the Qianlong   akshamalika straight across his chest. What   nose, in his person a haunted look,
           period.                            he has remembered is not nothing, although   yet friendliness is somehow in it—who
                                              there are no words for it.
           The eight luohan on the present screen,                              knows how! He has taken the sutras and
           depicted with distinctive exaggerated features,   The 2nd Arhat Ajita  thrown them to the ground, for his task of
           originated with the famous late Tang to Five   Grasping his knees he sits alone, utterly   practicing and studying is finished. Though
           Dynasties painter Guanxiu (823-912), whose   oblivious, seemingly free from troubles of the   Buddhahood still abides not in him, how
           hugely influential rendition of each arhat’s   mind. But his mind is that of a bodhisattva,   much the less is non-Buddhahood there!
           iconography is seen on a number of Qing   while his appearance is that of a king of   The 6th Arhat Bhadra
           dynasty works of art. In the 22nd year of his   hungry ghosts. With his left hand he applies
           reign (corresponding to 1757), the Qianlong   sandalwood fragrance, and with his right he   Head consecrated with water, he has a big
           Emperor embarked upon a tour of southern   cuts with a sharp sword. But what hatred,   square jaw and wears a monk’s robe. When
           China and visited Hangzhou where he resided   what mercy does he ever feel, since he is   he chanted gathas about the seven past
           near Shengyin Si, the monastery that owned   equally free of both!   buddhas, everyone could hear him. Eyes
           the original paintings of the sixteen luohan by                      aware to the emptiness of phenomenal
           Guanxiu. The Emperor believed the paintings   The 3rd Arhat Vanavasin  appearance, he let sandpiper and clam
           to be the same set that had been recorded in   Eyes closed amidst the crags, he grasps   perish in deadlock. Now he sits in lotus
           the Xuanhe Huapu [The Xuande catalogue of   non-arising and so attains perfect patience.   position, his task as itinerant monk finished.
           paintings], the inventory of the Song dynasty   Phenomena and principle all vanish as if they   The 7th Arhat Kanakavatsa
           emperor Huizong. Upon examining the   were flowing water or scudding clouds, and
           paintings, the Emperor wrote a eulogy to each   moment by moment he just takes things as   In a former life he was Drinker of Light and
           luohan image, renumbering them and providing   they come – thoughts happen and there they   in a later life he was Huili. From Vulture Peak
           a translation of their names in Chinese (Qing   are. So even this good kalpa with its buddhas   in India he knew to fly here. Though he has
           Gaozong yuzhi shiwen quanji [Anthology of                            several pairs of straw boots and a single
                                              with awe-inspiring voice is for him gone in   bamboo staff, these he may put aside and
                                              the blink of an eye.
                                                                                forever dwell at the Source of Holiness.



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