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           A RARE ‘EEL-SKIN’ GLAZED TRIPOD FLOWER    清雍正    鱔魚黃釉雙繫花囊
           VESSEL                                            《雍正年製》款
           SEAL MARK AND PERIOD OF YONGZHENG
           with a compressed globular body supported on three short   來源:
           conical feet, the underside of the belly studded with bosses,   香港蘇富比2011年4月8日,編號3003
           the shoulder set with a pair of loop handles, covered overall
           in a thick olive-green glaze suffused with golden speckles
           stopping neatly around the tips of the feet, the base with a
           four-character seal mark
           20 cm, 7⅞ in.
           PROVENANCE
           Sotheby’s Hong Kong, 8th April 2011, lot 3003.
           HK$ 700,000-900,000
           US$ 89,500-115,000


           The ever-improving technical ability of the Jingdezhen
           potters during the Yongzheng period, set of a number
           of inspiring and ambitious ventures which included the
           re-creation of completely different media in ceramics. Wood,
           lacquer, metal and stone became popular materials to be
           imitated, amongst which bronze simulations demanded skills
           far more challenging and ambitious than what was normally
           expected. The opaque and mottled glaze on this piece,
           which is known as ‘eel-skin’, was achieved through the high
           concentration of iron oxide in the glaze, and required to be
           fired in a weak reduction atmosphere and slowly cooled to
           result in this unique patina that resembles bronze.
           A closely related jardinière was sold in our London rooms,
           21st June 1983, lot 336; and a tripod censer of globular
           form, also with Yongzheng mark and of the period, from
           the collection of H.R.N. Norton and later in the Hall Family
           Collection, sold in these rooms, 2nd May 2000, lot 537.
           Compare also a similar vessel in flambé glaze in the Hong
           Kong Museum of Art, illustrated in The wonders of the
           potter’s palette: Qing ceramics from the collection of the
           Hong Kong Museum of Art, Hong Kong Museum of Art, Hong
           Kong, 1984, cat. no. 62.
























           Mark

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