Page 159 - The Age of Sultan Suleyman the Magnificent
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pear  to  have  been  more  decorative than  ceremonial  or  func-
     tional,  and  were frequently presented  as  gifts.  For instance,
     during  bayram  celebrations  the  sultan received  daggers or
     dagger  handles  from  goldsmiths,  gold inlayers, gemstone
     carvers,  and  the  members  of the  kündekari society. He must
     have  also  sent  daggers  as diplomatic gifts  to neighboring
     states,  for some  superb  examples  are  housed  in  European
     royal  collections.
       Most  of the  Ottoman  daggers have  a  straight double-edged
     blade  with  a  pierced  central  groove  and  are  inlaid with gold
     scrolls,  at  times also with  Persian or Turkish verses. The  han-
     dles generally have  a  flattened  grip with  swelling sides and  a
     lobed  pommel;  they  are  made  of ivory, mother-of-pearl, jade,
     or  other  precious  materials,  often  inlaid with  gold  and  set
     with  gems.  Some  daggers have  matching  scabbards, employ-
     ing  the  same  materials  and  designs as those  used  on  the
         88
     hilt.  There  are  also  several  daggers with  slightly curving
     blades  or  cylindrical hilts. None of the  known  examples bears
     the  signature of the  maker  or  gives the  name  of the  sultan
     and  the  year  in  which  it was made  except  one.
       The  exception  (91) is the  dagger with  a  carved rock-crystal
     hilt  and  pierced  steel  blade, both  inlaid with  gold. The hilt
     has  a  lobed  pommel  with  carved  and  gold-inlaid inscriptions.
     The upper  lobe  on  the  front  contains  the  phrase  "feth-i
     acem"  (conquest  of Iran); below  it is a  square,  flanked  by
     mirror-image  inscriptions.  The  square is divided into  sixteen
     compartments,  each  with  a letter;  the  numerical  values of the
     letters  total  sixty-six, the  same  as those  in  the  word Allah.
     Written  on  either  side  in  mirror-image  is "malik  ül-mülk"
     (sovereign  of the  land). The upper  lobe  on  the  back  contains
     the  words  for year  and  date,  below  which  is another  square
     with  its letters totaling  920  (that is, the  year in the Islamic
     calendar  that  corresponds  to  A.D.  1514/1515),  flanked  by  the
     same mirror-image  phrase  used  on  the  front.  Small turquoise  91  (right).  Gold-inlaid  dagger with jeweled  rock-crystal  hilt  made  for Sultan
     stones with  plain  gold  collars decorate  the  lobes of the  pom-  Selim  I in  1514/1515  (Istanbul, Topkapi  Sarayí  Müzesi, 2/254)
     mel,  while  a  larger ruby  is mounted  on  the  apex.  The flat-  92  (left).  Gold-inlaid  dagger with carved ivory hilt, mid-sixteenth century
     tened  grip with  slightly swelling sides is carved  with hatayi  (Riyadh,  Rifaat  Sheikh al-Ard  Collection)
     and  rumi  scrolls; the  lower  band  shows  a  series of  trefoils
     framed  by heart-shaped  elements.
       Both  sides of the  blackened  steel blade have  cartouches
     with floral  scrolls at  the  upper  and  lower  portions  and  rumi  generally  have  angular sides and  beaded bands  encircling the
     braids  applied  to  either  side of the  pierced  center,  which  is  rounded  pommel,  and  a  slightly  swelling grip. One  of  these
     partially  divided  in  two  by a thin  strip with  a palmette  head.  (92)  has  a  lobed  pommel,  decorated  with  scrolls bearing  ha-
     This decorative feature was  commonly  used  on  daggers pro-  tayi  blossoms  and  rumis;  the  lobes create ten  convex  panels
     duced  in  the first half of the  sixteenth  century.      along  the  upper  edges,  each filled with  a  blossom. The grip
       This  exceptional  dagger must  have  been  made  for  Selim I  and  its sides repeat  the  design used  on  the  pommel.  The flo-
     to  commemorate  his  conquest  of Tabriz. The  style  of hatayis  ral  elements  are  rendered  in  relief,  their details finely incised.
     and  rumis  used  on  the  grip recalls that  employed  in the silver  A  silver band joins the  hilt  to  the  blade.
     tray  and jugs discussed  earlier, prototypes  of which  can  be  The  curved  steel blade has  a blackened  panel embellished
     traced  to  manuscripts  produced  in  the  second  half  of the  with  gold  scrolls; the upper portion  shows  rumis flanking tre-
     fifteenth  century. 89                                     foils  and  the  lower  hatayis, with  a  cypress tree  placed at  the
       The shape  of the  rock-crystal hilt  appears  on  several  carved  very  tip. It has  been  suggested that  the  shape  of the  blade is
     ivory  examples  dating  from the  mid-sixteenth  century. They  typical  of a  date  slightly later than  the  hilt; 90  however,  the


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