Page 186 - The Age of Sultan Suleyman the Magnificent
P. 186

114.  Kemha  kaftan  with  reciprocal  pattern,  second  quarter sixteenth century
    (Istanbul, Topkapi  Sarayí  Müzesi,  13/46)


      The  fabric  used  for this example  is serenk  with  an  overall  ciprocal  volutes enclosing  large trefoils.  The bands  and  tre-
    pattern  of bright  yellow  triple balls  placed  on  a ruby-red  foils,  woven  with  gold  outlined  in blue,  lay under  scrolls
    ground.  The  same  design,  fabric,  and  cut  appear  on  a quilted  bearing  a  variety  of stylized  flowers, including  hatayi  blos-
    kaftan  identified  as belonging  to  Selim  I. 46  Çintemani patterns  soms  and  buds  rendered  in  light blue,  pistachio-green,  and
    with  triple balls were extremely  popular throughout  the six-  ruby  red.  The ruby-red  satin field has  a  diaper  pattern  con-
    teenth  century  and  were  often  employed  on  velvet garments 47  sisting  of triangles with  contrasting  weaves  that  produce  a
    and  furnishings  (see  154).  The  design  was  also  employed  on  rich  and  shimmering  texture.  The  kaftan  is also padded  and
    printed  silks, one  of which  appears  to  have been made  for a  quilted  with  vertical  stitches,  which enhance its three-
           48
    woman.  The same pattern  was  used  on  ceramics  and  wood-  dimensional  surface  effect.
    work  (see  107 and  108).                                   The  cut  of the  garment  is similar to  the  serenk  example  de-
      The  date  of this  kaftan  cannot  be properly determined  due  scribed  above.  It is fastened  with  buttons  and  loops  attached
    to  the  widespread  employment  of the  design,  especially on  to braids sewn  to  the  bodice.  The diagonal  overlap  of the
    textiles.  It was  most  likely made for one  of the  princes,  possi-  skirt  is extremely  well thought-out;  the  continuity  of the  pat-
    bly  for  Selim,  who  was  always stout, in  the  second  quarter of  tern  is not  interrupted  when  the  garment  is closed.  This qual-
    the  sixteenth  century.                                   ity,  which  requires  careful  cutting and  sewing,  appears  on  all
      Another  kaftan  dating from  the  same  period  (114)  is made  decorated  imperial  kaftans.
    from  a kemha  decorated  with  wide  rumi  bands  that  create re-  The pattern  of the  kemha  recalls the  reciprocal  borders  em-


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