Page 212 - The Age of Sultan Suleyman the Magnificent
P. 212

granates  shown  in  cross  section,  the  other  has  tulips. The
                                                                       lobed  ovals contain three concentric  units: the  central  one
                                                                       encloses  a  single tulip  flanked  by  a  profusion  of thin  and  long
                                                                       overlapping  leaves,  rendered  in gold  and  placed  on  a blue
                                                                       ground  embellished  with  dots;  the  second  oval  has  a  series of
                                                                       serrated  trefoils  growing  inward  from  the  lobed  frame, woven
                                                                       in  rosy  beige  on  a  gold  ground;  and  the  outer  unit contains
                                                                       sprays  of blue hyacinths separated  by  large feathery leaves on
                                                                       a  gold  ground.
                                                                         Another  fragment  from  the  same  bolt  is in  Lyons. 72  The
                                                                       Victoria  and  Albert  Museum owns  a  piece with  an  identical
                                                                       pattern  woven  with  blue,  red, cream, and  gold on  a green
                                                                       ground,  thought  to  be  the  back of  a  chasuble. 7Î
                                                                         A  more  sophisticated  design is found  on  a  kemha  com-
                                                                       posed  of two  superimposed scrolls that  create  a  fine  lattice-
                                                                       work  of ogival  patterns  (146), rendered in  gold with touches
                                                                       of  bright  blue and  ruby  red, originally  outlined  in  black  (now
























































                 146.  Kcmha  fragment  with  double ogival  pattern,  second  half  sixteenth
                century  (New York, The  Metropolitan Museum oí Art, 52.20.18)
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