Page 280 - The Age of Sultan Suleyman the Magnificent
P. 280

dows,  or  niches,  as  represented  in contemporary  manuscripts  projects  a  sense  of  vitality  and  endless  springtime.  A pair of
     (see  28a).  Their triangular shapes  with  articulated inner  sides  spandrels with  a  tighter and  more  static composition  employ-
     resemble the  corner  quadrants  employed  in  bookbindings.  ing  similar  blossoms  with  swirling petals  is in  the Victoria
     One  pair of these  decorative  architectural elements  (208)  is  and  Albert  Museum;  another  pair with  blue  fruit-tree  blos-
     painted  with  three  sprays that  grow  from  the  lobed  edges  and  soms  is in  the  Metropolitan Museum  of Art  and  a  second
     extend  toward  the  top,  overlapping  one  another.  The one  identical  pair is divided between  the  Çinili  Kô§k  and
     springing  from  the  lowest  lobe  bears  a  rose  and  a  small  cro-  Kuwait." 0
     cus that  swings  back  toward  the  stem. Another  grows  from  The  majority  of the  tile  panels  produced  during  the  second
     the  next  lobe,  sprouts several  rosebuds  and  pods,  and  termi-  half  of the  sixteenth century  were  constructed  from  a  number
     nates  with  a  large blossom  with  swirling petals.  The third,  of square  pieces,  which  were  affixed  to  the  walls next  to  one
     which  has  at  its base  a  beautifully  drawn  pair of twisted  saz  another  and  completed  the  design.  Areas  with  specific  shapes,
     leaves,  contains  several  stems  that  bear  roses,  rosebuds,  cro-  such  as those  around  the  mihrabs and  over  doors  and  win-
     cuses,  fruit  tree  flowers,  and  large  blossoms with  swirling  pet-  dows,  required  greater  care  in  devising  compositions  that fit
     als. Tiny cloud  bands  appear  along  the  sides while  rumis  fill  the  requirements  of the  architects. The  ingenuity  of iznik  pot-
     the  facing  corners  of the  upper  lobes.  The  spandrels  are  ters  is observed  in  a  series  of lunettes with  pointed  arches
     framed  with  blue lines, their  edges  painted  green.    thought  to  have  come  from  a  palace  built  next  to  the  Mosque
       The  delicate interplay of twisting, turning, and  overlapping  of  Piyale  Pa§a  constructed  in  1573. m
     stems  with  flowers  of diverse  types  growing  in  opposite  direc-  These  panels,  decorated  with  identical saz scrolls  and  cloud
     tions  produces  a  fanciful  and  exhilarating composition  that  bands,  are  composed  of sixteen  tiles,  one  half of which  are


























































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