Page 285 - The Age of Sultan Suleyman the Magnificent

30. See, for instance, those illustrated in Frankfurt 1985, vol. 2, nos. 2/48 61. Ünal 1969, figs. 7-10. See also Lane 1957, figs. 20 and 21; Lane 1971,
and 2/49. pi. 25a; London 1976, no. 409; Istanbul 1983, E. 37; and Frankfurt 1985,
31. London 1976, no. 419. vol. 2, no. 2/7.
32. Rogers 1984, figs. 4 and 5. 62. Two other related pieces are in Berlin and Paris; see Lane 1957, fig. 22;
and Paris 1977, no. 582.
33. See, for instance, two examples published in Istanbul 1983, E. 165; and
Rogers 1984, pi. IX. 63. This example, in the Walters Gallery of Art, has holes at the top and
bottom; inside the ball is a metal chain with a wooden tulip painted red,
34. One of these, in the Kuya§ Collection in Istanbul, is published in Ünal which suggests a post-1540s date. Another blue-and-white ball was recently
1969, fig. 25; another is mentioned as having been in the market in New
York in Lane 1957, 278. sold in London (Sotheby's 1983, no. 160).
64. Illustrated in Ünal 1969, fig. 15.
35. See Lane 1957, 277 and 278; and Carswell 1966.
36. See Lane 1957, 279 for Venetian purchases in 1573-1578. 65. The same shape appears in an eighteenth-century blue-and-white exam-
ple, most likely produced in Kutahya. For a reproduction of this piece see
37. See Lane 1957, figs. 29 and 30, and note 96 on 280; and Rogers 1983b, Ünal 1965, fig. 9.
nos. 109, 110, 128, and 134. 66. Lane 1957, fig. 6; and Istanbul 1983, E. 31.
38. See Lane 1957, 279 and fig. 46. 67. Lane 1959, fig. 24; Paris 1977, nos. 583 and 584; Denny 1980, ill. 40;
39. See Otto-Dorn 1941, 165-195 for these edicts.
and Istanbul 1983, E. 32.
40. See Raby 1976 for a study of Iznik in this period. 68. For a study of this group see Denny 1974a; for other examples see Paris
41. See Lane 1957, fig. 48; and Carswell 1982, pis. 106-110 for Damascus 1971, no. 92; Dusseldorf 1973, nos. 311-313; Fehérvári 1973, no. 194; and
tiles. Other Syrian tiles are discussed in Carswell 1978. Istanbul 1983, E. 34.
42. See Carswell 1982, pis. 111-114. A thorough study of the Diyarbakir tile 69. A small bowl in Istanbul, which combines these features with Chinese-
industry appears in Raby 1977-1978. inspired themes, appears to be the earliest in the series (Istanbul 1983,
43. For a historical survey of the Kutahya industry, especially in the E. 38).
eighteenth century, see Carswell 1972; see also §ahin 1979-1980. 70. See, for instance, plates reproduced in Mustafa 1961, fig. 16; Dusseldorf
44. Damsjnan 1969-1971, 2: 283. 1973, no. 327; Fehérvári 1973, no. 196; Denny 1974a, figs. 15 and 16; and
45. Oz 1950, 52 and 53. Istanbul 1983, E. 48.
46. See, for instance, the group of maiolica vessels published in Lane 1957, 71. J.A. Pope 1972, figs. 14 and 17.
fig. 45; see also Lane 1957, 280 for references to other copies made in Flor- 72. Frankfurt 1985, vol. 2, no. 2/24.
ence and Padua. 73. Carswell 1982, no. 99; and Rogers 1983b, no. 126.
47. Cantagalli workshops used the mark of a rooster on the base of the 74. Carswell 1982, no. 98.
pieces. Two large Cantagalli pieces decorated with saz scrolls, a polychrome 75. Frankfurt 1985, vol. 2, no. 2/28.
vase painted with red and a high-footed bowl employing pale green and pur-
ple, were auctioned in London recently. See Sotheby's 1983, no. 161; and 76. A. Welch 1979, no. 31; for a detail of the lamp, see Denny 1974a,
Sotheby's 1985a, no. 372. This workshop produced such fine copies that fig. 18.
they were frequently mistaken for sixteenth-century Iznik ware. There are 77. See Fehérvári 1973, no. 195. See also Denny 1974a, fig. 8 for a different
two large polychrome vases in Florence (published in Oz 1957, pi. LXXI, no. handling of the same theme.
131) and in Seattle (illustrated in J. A. Pope 1972, fig. 15), which are identi- 78. Rogers 1983b, no. 123.
cal to the one sold in London in 1983. 79. See, for example, J.A. Pope 1972, figs. 8 and 9; Atil 1973a, no. 80; Co-
48. Raby and Yücel 1983. penhagen 1973, 100; and Carswell 1982, pis. 76 and 77.
49. Raby and Yücel 1983, fig. 15. 80. For some of these examples see Lane 1971, pi. 32B; and Fehérvári 1973,
50. Raby and Yücel 1983, fig. 14. no. 193.
51. The mosque lamp is illustrated in Ünal 1969, fig. 15. 81. For an example with purple grapes see Paris 1977, no. 591; one of the
52. See Lane 1957, figs. 27-30 for three of these ewers and fig. 31 for one plates with red grapes is published in J.A. Pope 1972, fig. 3.
of the jugs. A second jug, which has lost its handle, has a most unusual dec- 82. See, for instance, the plates in J.A. Pope 1972, fig. 2; Atil 1973a, no. 83;
oration with a landscape and a group of buildings that recall those in the and Istanbul 1983, E. 47.
illustrations by Piri Reis and by Nasuh; sec Istanbul 1983, E. 39. 83. Published in Carswell 1982, pi. 75; and Riyadh 1985, no. 128.
53. Only one candlestick belonging to this group is known; see Carswell 84. Its celadon prototype is discussed in J.A. Pope 1972.
1982, pi. 70. Another, published in Frankfurt 1985, vol. 2, no. 2/5, seems to 85. Paris 1977, no. 584.
be problematic. 86. See Atil 1981b, no. 72.
54. Carswell 1985, nos. 72 and 74. 87. See, for instance, Atil 1973a, no. 81; and Carswell 1982, pi. 64b.
55. See Lane 1957, figs. 3 and 5 for the jar and flask; for the others, 88. A plate painted in four colors including purple was published in Istanbul
page 261. 1983, E. 50.
56. For a study of Kutahya production see Carswell 1972. See Carswell 89. For a reproduction of this album page see Atil 1978b, no. 13.
1985 for the long-lasting and wide-ranging popularity of the blue-and-white
ceramic tradition in Asia, Europe, and America. 90. See, for example, the dedication pages in the 1558 Süleymanname repro-
57. Lane 1957, fig. 11. duced in Atil 1986, 84 and 85.
See the
and
in the
large footed
58. See, for example, Fehérvári 1973, no. 192; Lisbon 1983, no. 38; and 91. Denny 1980, ill. 154; bowl Istanbul Victoria E. 49. Albert Museum published
1983,
collection is
In
and
in
the
same
Rogers 1983b, no. 107. another large bowl, the foot of which has been cut down. See Lane 1957,
59. Lane 1957 lists twelve blue-and-white or blue-and-turquoise examples, 271, n. 34.
two with spiral scrolls, and five painted with green and purple. Most of these 92. This piece is mentioned in Lane 1957, 270.
are in British and French museums.
93. One, in the Metropolitan Museum of Art, is published in Ünal 1969, fig.
60. Ünal 1969, figs. 2-6. See also Lane 1957, figs. 16-19; Istanbul 1983, E. 11; and Denny 1977, fig. 3. Another, which is in Istanbul, was damaged
35 and 36; and Rogers 1983b, no. 108. during firing; it is reproduced in Ünal 1969, fig. 12.
284