Page 286 - The Age of Sultan Suleyman the Magnificent

94. See, for example, Metropolitan 1968, no. 20; Lane 1971, pi. 29A; and 123. Two in Cairo are published in Mustafa 1961; another in the Benaki
Edwards and Signell 1982, 33. Museum is illustrated in Frankfurt 1985, vol. 2, no. 2/16; for a fourth, in the
95. See, for instance, Lane 1971, pi. 34A; Copenhagen 1975, 103; Rogers Brooklyn Museum, see Travelstead 1982.
1983b, nos. 138 and 139; and Frankfurt 1985, vol. 2, no. 2/27. 124. Rogers 1983b, no. 133.
96. See, for instance, Paris 1977, no. 588 for identical pieces. 125. See, for example, Rackham 1959, pis. 205-211; Lane 1971, pi. 46B;
97. See Istanbul 1983, E. 45; and Carswell 1982, pis. 83 and 84. Atil 1973a, no. 86; Copenhagen 1975, 103; and Frankfurt 1985, vol. 2,
98. See the large example in Copenhagen 1975, 99. no. 2/46.
99. Rogers 1983b, nos. 112 and 120. 126. For other examples of slip-painted plates using the same design see
Lane 1971, pi. 44B; Denny 1974, fig. 7; and Rogers 1983b, nos. 130
100. See Copenhagen 1975, 114; Lisbon 1963, no. 64; and Frankfurt 1985, and 135.
vol. 2, no. 2/68. 127. See, for instance, Lane 1971, pi. 45A; and Istanbul 1983, E. 167.
101. See, for instance, the example in the British Museum published in Lane
1957, fig. 44; and London 1976, no. 413. For another piece in the Victoria 128. This bottle, the neck of which is broken, is illustrated in Istanbul 1983,
and Albert Museum, see Denny 1977, fig. 167. E. 165.
102. For a study of this style and reproductions of several of these plates see 129. This tile, which is not published, is registered under number 1960.17.
Rogers 1985a. 130. For the Çinili Ko§k example see Istanbul 1983, E. 170. The others have
103. Frankfurt 1985, vol. 2, no. 2/13. not been published. The pair in the Metropolitan Museum of Art is registered
104. Frankfurt 1985, vol. 2, no. 2/14. under 02.5.89 and 02.5.90.
105. Lane 1971, pi. 35A. 131. Close to a dozen of these lunettes are known to exist in Paris, Lisbon,
London, Cologne, Berlin, Hamburg, Vienna, Kuwait, and Boston. Some are
106. Denny 1981, fig. 4. published in Lisbon 1963, no. 52; Paris 1971, no. 102; Dusseldorf 1973, no.
107. One of these is illustrated in Frankfurt 1985, vol. 2, no. 2/65. 343; London 1973, no. 420; Vienna 1977, no. 55; and Frankfurt 1985, vol.
108. See, for example, Lane 1971, pi. 36A; Atil 1973a, no. 82; and Rogers 2, no. 2/70, where additional references are listed.
1985a, figs. 6, 7, 20, and 23. 132. See Oz 1957, pi. XLIV. Fragments of a frieze from this mosque are now
109. For another plate that uses the same combination see Paris 1977, no. in Lisbon and Berlin; one of these is published in Frankfurt 1985, vol. 2, no.
593. This plate has a wave pattern on the rim and hatayis and pinecones in 2/75. Two other panels with Koranic inscriptions said to be from the same
the central medallion. mosque show a totally different style; these are illustrated in Jenkins 1983,
110. A group of early seventeenth-century pieces with diverse animals and 117; and Frankfurt 1985, vol. 2, no. 2/67.
human figures, generally painted on a green ground, represents a folk tra- 133. See, for instance, those in the Mosque of Takkeci Ibrahim Aga built in
dition and is crudely painted. Whether they were made in Iznik or not is 1592, illustrated in Oz 1957, pi. LIII. For other lunettes see Denny 1977,
speculative. figs. 38-43.
111. See, for instance, the tankard with a Turkish poem illustrated in Lon- 134. For color illustrations, see Yücel 1978, 2 and 3. See also Oz 1957, pis.
don 1976, no. 419; and the covered bowl with verses by Hayati and Revani XLVI and XLVII; and Istanbul 1983, E. 155-157.
in Rogers 1984, figs. 4 and 5. 135. Oz 1957, pi. LI; and Óney 1976, frontispiece.
112. One of these, formerly in the Godman Collection, is published in Lane 136. Oz 1957, pis. LV and LVI; and Óney 1976, 54.
1971, pi. 41 A; and London 1976, no. 415. Another, in the British Museum, 137. Ôz 1957, pi. XXXIII; and Denny 1977, fig. 201.
is illustrated in Hobson 1932, pi. 39a. A third example is in a private collec- 138. Ôz 1957, pi. XXXVIII; and Denny 1977, figs. 52, 104, and 215.
tion in New York. In Lane 1957, 279 and 280, n. 92, a fourth example is
mentioned. 139. Óney 1976, 86; and Denny 1977, figs. 136 and 220.
113. See, for instance, Paris 1953, no. 302; Denny 1977, fig. 172; Carswell 140. Óney 1976, 88.
1982, pi. 81; Rogers 1983b, no. 114; and Rogers 1985a, fig. 24. 141. Otto-Dorn 1957, fig. 68.
114. Similar pieces are illustrated in Rackham 1969, nos. 114 and 116; and 142. Óney 1976, 54.
Atil 1973a, no. 84.
115. See, for example, the "lion" face on the polychrome mosque lamp
published in Denny 1974a, fig. 18; and A. Welch 1979, no. 31.
116. One of these plates, painted blue, is in the Victoria and Albert Mu-
seum; another, in polychrome, was formerly in the Godman Collection, now
bequeathed to the British Museum.
117. This piece, in the Musée National de Céramique in Sèvres, is repro-
duced in Erdmann 1963, fig. 43; Süslü 1976, fig. 3; and Denny 1981, fig. 5.
118. See Erdmann 1963, figs. 44 and 46; Süslü 1976, figs. 2 and 5-7; and
Lane 1960, pi. 17a. A slightly different style is represented on an example
published in Istanbul 1983, E. 163.
119. This chamber, now housing the sacred items associated with the
Prophet Muhammed and called Hirka-i Saadet Odasi, is not easily accessible.
A few of these panels are reproduced in Oz 1957, pi. XLVIII; and Süslü
1976, figs. 8 and 9.
120. See Atil 1973a, no. 88.
121. See Denny 1980, pi. 49.
122. Ünal 1969, fig. 21. For other polychrome lamps see Ünal 1969, figs.
22-25; A. Welch 1979, no. 31; and Rogers 1985b, figs. 1 and 5. One of
these, published in Ünal 1969, fig. 25, contains a Hebrew inscription and
must have been commissioned for a synagogue.

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