Page 111 - September 20th 2021, Indian and Himalayan Art Christie's NYC
P. 111

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 A LARGE BRONZE FIGURE OF KRISHNA KALIYADAMAN  印度南部   那亞克時期   十七/十八世紀   銅黑天像
 SOUTH INDIA, NAYAKA PERIOD, 17TH-18TH CENTURY
 36Ω in. (92.7 cm.) high  來源:
 私人珍藏,巴西,不晚於1985年。
 $50,000-70,000
 PROVENANCE:
 Private collection, Brazil, by 1985.








 The present sculpture depicts Krishna dancing in celebration atop the
 hood of the subdued serpent king Kaliya. The multi-hooded Kaliya
 was polluting the waters of the Yamuna River and terrorizing Krishna’s
 homeland, Vraj. The young Krishna set out to defeat the naga, but ended
 up restricted in his coils. Expanding himself to escape, and landing
 on Kaliya’s hoods, Krishna began to crush the serpent king with great
 weight  by  the  steps  of  his  dance  until  Kaliya  admitted  defeat.  Rather
 than killing his foe, Krishna agreed to let him flee, only after performing
 one final dance upon his hoods.
 This weighty sculpture represents Krishna as a plump adolescent,
 mid-step in dance upon Kaliya. His left hand, extended outward, grasps
 the tail of the serpent, while his right hand is raised in  abhayamudra,
 the gesture of reassurance, towards the spectators. Krishna wears
 an elaborately decorated  dhoti  with bands of embroidered floral and
 foliate motifs and an ornate, snake-like jewelry set. His hair is arranged
 in an unusually bulbous bun, tied off with a flowing sash. The details of
 Kaliya’s multi-hooded head and scaled body are meticulously executed
 and,  impressively,  include  a  diminutive  representation  of  Kaliya  in
 humanoid form, surrendering to Krishna.

 Compare the present figure to a similarly cast example at the Victoria
 and  Albert  Museum (acc.  no.  IS.204-1959),  published  in  P.  Pal,  1997,
 Dancing to the Flute: Music and Dance in Indian Art, pp. 82-83, fig. 33.
 A well-known figure of Krishna dancing on Kaliya from the John D.
 Rockefeller III Collection at the Asia Society (acc. no. 1979.22), dated to
 the tenth-to-eleventh century may be referenced as an earlier prototype,
 and is widely considered to be one of the finest South Indian bronzes.




















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