Page 86 - September 20th 2021, Indian and Himalayan Art Christie's NYC
P. 86

Property From The James And
                  Marilynn Alsdorf Collection




                  PROPERTY FROM THE JAMES AND MARILYNN ALSDORF COLLECTION
                  438
                  A LARGE GRAY SCHIST FIGURE OF A BODHISATTVA     古犍陀羅   二/三世紀   灰片岩雕菩薩立像
                  ANCIENT REGION OF GANDHARA, 3RD-4TH CENTURY CE
                  62 in. (157.5 cm.) high                         來源:
                                                                  Parke Bernet藝廊,紐約,1971年4月3日,拍品編號65。
                  $60,000-80,000                                  詹姆斯及瑪麗蓮・阿爾斯多夫珍藏,芝加哥。
                  PROVENANCE:                                     展覽:
                  Parke Bernet Galleries, New York, 3 April 1971, lot 65.  芝加哥藝術博物館, A Collecting Odyssey: Indian, Himalayan,
                  The James and Marilynn Alsdorf Collection, Chicago.  and Southeast Asian Art from the James and Marilynn Alsdorf
                                                                  Collection,1997年8月2日至10月26日,圖錄編號154。
                  EXHIBITED:
                  The Art Institute of Chicago, “A Collecting Odyssey: Indian, Himalayan,   出版:
                  and Southeast Asian Art from the James and Marilynn Alsdorf   P. Pal,《A Collecting Odyssey: Indian, Himalayan, and Southeast
                  Collection,” 2 August-26 October 1997, cat. no. 154.  Asian Art from the James and Marilynn Alsdorf Collection》,芝加
                                                                  哥,1997年,頁125及307,圖錄編號154。
                  LITERATURE:
                  P. Pal, A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art
                  from the James and Marilynn Alsdorf Collection, Chicago, 1997, pp. 125
                  and 307, cat. no. 154.






                  The present figure, as indicated by the lotus held in the left hand, represents
                  Padmapani, a manifestation of the bodhisattva, Avalokiteshvara. The origins
                  and importance of Padmapani and other bodhisattvas were developed
                  with the rise of Mahayana Buddhism; he represents the compassion
                  of all Buddhas. Alongside the Buddha and the bodhisattva Maitreya,
                  Avalokiteshvara is considered one of the principle deities of early Gandharan
                  Buddhism. The base of the figure displays a scene depicting a homa, or fire
                  ritual, performed by a monk with three participants, one of whom is female.
                  During such rituals, the priest would pour  ghee,  or clarified butter, and
                  various ointments onto the blaze lit within the cauldron.





























                  P. Pal, A Collecting Odyssey: Indian, Himalayan, and Southeast Asian Art from the
                  James and Marilynn Alsdorf Collection, Chicago, 1997, p. 307 and cover.
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