Page 112 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
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THE CATALOGUE
                    70
                    74^'  Shallow bowl.  D. 4$ in.  Fine light fawn clay, light olive-green underglaze, cream-
                    white overglaze curiously crackled.  Bridge post extending inside in light blue.  Seta Seki
                    sho (written in blue, on side).                                          ig^o






                                                         741

                    742.  Haisen.  D.  5J  in.  Strongly turned.  Fine yellowish-fawn clay, bluish-white glaze.
                    Spray of chrysanthemum roughly sketched in light blue.  Basal ring with
                    three notches.  Goshu Seta Kyoto Tokishi Mompei (imp.).  1873
                       Type Ninagawa.  Part VI., Fig. 19.

                    OTSU (Case
                                 7)
                       The two specimens in the collection were made by some obscure
                    potter in Otsu, evidently to be sold as souvenirs.
                    743-  Bowl.  D.  3I  in.  Thick and heavy.  Hard gray  clay,  thin
                    transparent underglaze, thick light gray overglaze.  Over-decoration of
                    figure in hideous mask in green, black, yellow, red, etc.
                    Otsu Meisan (unp.).                                     1830
                    744  • Wine-cup.  D. z-^ in.  Thin walls, fine light brownish clay, light olive-brown glaze,
                    coarsely crackled.  Inside, over-decoration of mask, clouds, etc., in red, black,
                    and green.  Otsu Meisan and Yorodzu tei (imp.).               i860


                    BAIRIN (Case 7 and Plate IV. 747)
                                                                                          7
                       In the beginning of the century an oven was built in the hamlet of
                    Beppo, at the southern  limit of the old castle-town of Zentokoro. A
                    Kyoto potter was employed  ; and while the essays were after Ky5to
                                                                                            744
                    models, they were original in design and treatment.  The objects were
                    usually glazed in two colors, either green and yellow, green and purple, or claret and
                    yellow blending at the point of junction.  The Japanese have only recorded the mark
                    of Bairin, which means plum blossom.  The mark Okei also occurs on this pottery.
                    This  is another poetical name meaning nightingale.  The plum blossom and night-
                    ingale are often associated in pictures.  One specimen, a plate (No. 747) which has
                    no mark, has in relief a design of a wreath of plum blossoms about the border and two
                    nightingales  in the centre.  Some of the objects were moulded.  Speci-
                    mens are exceedingly rare.
                    745-  Wine-bottle, moulded in form of egg-plant.  H. 6f  in.  Fine fawn clay,
                    underglaze transparent, rich brown  overglaze, clouded ; below calyx, thick white
                    glaze.  Kiyomizu Bairin zan (imp.).                             1800
                       Gift of Charles A. Dana.
                    746.  Cake-plate.  D. 8 in.  Moulded.                           1800
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