Page 132 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
P. 132

;







                                  •
                   82                           THE CATALOGUE
                   Hagi only.   Ninagawa says Hagi is the general name for Matsumoto and
                   Fukagawa; and yet Fukagawa       is a separate town from Matsumoto.       To
                   make the discriminations more    difficult, Nagato pottery  is rarely signed
                   furnace-marks even are not seen    ; and so  in many cases distinctions are
                   impossible.
                   HAGI   (Case
                                9)
                      Japanese antiquarians make a distinction between Hagi and Ko Hagi, and though
                   the distinction amounts to nothing save as a matter of age, there  is yet a marked
                   difference in the appearance of the older forms.  Tokiko says that Ko Hagi is often
                   mistaken for early Izumo, and this  is doubtless due to Korean influence  in both
                   instances.  According to Ninagawa and other authorities, the first potter of Hagi was
                   a Korean named Rikei, afterwards called Saka Koraizayemon.  The descendants of
                   Rikei attained the rank of Samurai
                   gi2.  Bowl, flaring sides.  D. 5J  in.  Soft brownish clay roughened, thick white glaze with
                   extra white overglaze running from rim.  Coarsely crackled.  Four spur-marks within.  1580
                   913, 914.  Bowls.                                                   1600-1630
                   915-  Bowl.  D.  5J  in.  Fawn clay, thick cream glaze finely crackled.  Under-decoration
                   of light blue bamboo leaves  ; over-decoration of dark brown bamboo leaves and plum blos-
                   soms.  Sides compressed, rim cut.  Basal ring with two notches.          1650
                   916—918.   BowLS.                                                    1650-1700
                   919-  Rest for cover, in form of a drum-shaped ring.  H. ij in.  Light fawn clay, light
                   cream glaze.  Thick walls, design perforated.                            1780

                   920.  Cake-plate on three looped legs.  D. 8  in.  Rim crenulated.  Coarse light fawn
                   clay, thick grayish-white glaze strongly crackled.  In centre of plate under-decoration of
                   flowers roughly sketched in black and gray.                             . 1780
                      Rare form.
                   921-924.   Bowls and bottles.                                        1780-1830
                   925.  Tea-bowl.  D. 45  in.  Rough  light fawn clay, buff underglaze, darker overglaze.
                   Sides compressed, one  side  sliced.  Basal  ring with two  notches.
                   Karamine (imp.).                                           1800
                   926.  Deep bowl.  D. d,\ in.  Light fawn clay, much roughened on lower  ^L*
                                                                              1830 ^
                   part, deep fawn glaze, glossy, coarsely crackled.  Right thread-mark.
                   927-  Deep bowl.  D. 3|in.  Strongly turned, fine fawn clay, thick light
                   chocolate-brown glaze.  Saji (inc.).                      1830   927
                   928-931-   Bottle, incense-boxes, jar.                1830-1850

                   MATSUMOTO (Case 9)
                      Under this name are included many pieces identified by Ninagawa and others as
                   Matsumoto, and though the division appears artificial, yet those with finer and harder
   127   128   129   130   131   132   133   134   135   136   137