Page 134 - Catalogue of the Edward Morse collection of Japanese pottery MFA BOSTON
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84                           THE CATALOGUE
                    SETSUZAN      (Case 9 and Plate V.  975)

                       In 1750 the governor of Nagato invited a potter from Yamato to erect a kiln in
                    Matsumoto. This potter was first known by the name of Miwa, and after-
                    wards assumed the name of Dorusuke.  He was a direct descendant of
                    Miwa Kiusetsa   His work was considered rough, but tasteful.  Speci-
                    mens are signed with the impressed mark Setsuzan, and are of extreme
                    rarity.
                    975*  Bowl.  D.  f>\  in.  Very coarse  light brown  clay, thick white  glaze,  ^^'
                    deeply tinged with  pink,  coarsely crackled  and  pitted.  Thick  walls,  sides  flattened.
                    Roughly turned on base.  Right-hand spiral.  Basal ring with three notches.
                    Setsuzan  (imp.).                                                        1750

                    976.  Squat jar, deeply constricted  in middle.  D.  8J  in.  Light buff  clay, transparent
                    underglaze, splashes  of  thick  pinkish-white  overglaze.
                                                                                          ^
                   Setsuzan saku roughly incised.                              1880
                       This piece is possibly made by a descendant of the first Setsuzan.
                       Gift of W. S. Bigelow.

                    MICHISUKE (Case 9 and Plate V.   977)
                       Saka Michisuke, a direct descendant of the original Korean potter,
                    Saka Koraizayemon, followed the potter's art at a place called Naka-
                    nokura, in Matsumoto.  The single specimen in the collection shows
                    the work of a vigorous modeler.
                    977-  Incense-box, in form of crab.  W. j,\ in.  Fine light gray clay with
                    red tinges, transparent underglaze, thick white overglaze in areas.  1872
                       Type Ninagawa.  Part V., Fig. 28.

                    FUKAGAWA       (Case 9 and Plate V. 984)                             ^
                       The pottery attributed to the village of Fukagawa (pronounced, in
                                                                                its color is warmer,
                    the province, Fukawa) has a finer and smoother glaze than Hagi ;
                    and often pinkish in hue, this being particularly so with recent work.  It is difficult to
                    make distinctions in the older work.  The pottery of Fukagawa originated from Hagi,
                    and doubtless the same clay and glaze, or similar materials, were used.  Certainly the
                    methods were the same.

                    978.  Tea-bowl.  D. 61"^  in.  Rough light brown clay, rich fawn glaze.  Thick areas of
                    white glaze on rim, lower portion of bowl, and inside basal rim.  Within, five spur-marks.
                                                                                             1600
                    979-  Bowl.  D. 5J  in.  Fine fawn clay, smooth fawn glaze minutely crackled.  Base with
                    three deeply cut notches.                                                 1630
                    980-983.   Bowls.                                                    1680-1730
                    984.  Incense-box, in form of branch of biwa with leaves and fruit.  L. 6 in.  Dull fawn
                    clay and glaze, tips of fruit touched with brown.                         1730
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