Page 25 - Importan Chinese Art Christie's May 2018

A RARE DING WARE LION PILLOW

ROSEMARY SCOTT, SENIOR INTERNATIONAL ACADEMIC CONSULTANT

The current pillow is a rare example of a Ding ware pillow in Sekai toji zenshu – 12 – Song, Tokyo, 1977, p. 233, fg.
supported by the fgure of a lion. While ceramic pillows 96). Lions were always regarded as auspicious and noble
surprise those in the West, who are accustomed to soft creatures, often depicted as guardians, and symbolising
pillows, the use of ceramic pillows has a very long history both harmony and protection against evil spirits, along
in China and were regarded as eminently practical. In his with blessings and high rank. The character for lion
poem Thanks to Master Huang for the Green Porcelain in Chinese 獅 shi is a homophone for 世 shi meaning
Pillow, the Northern Song poet Zhang Lei (張耒 1054-1114) generations and can also suggest 師 shi meaning tutor
from Chuzhou in modern Jiangsu province wrote: ‘The and 思 si meaning thoughts. In the case of this pillow the
pillow made by Gong is green and sturdy; an old friend intention is almost certainly to suggest a wish for future
gave it to me to combat the heat; it cools down with the generations who will enjoy high rank. A similar wish for
breeze in the room; so that my head is cool while I sleep’. male heirs is implied by the well-known Ding ware pillows
with boy babies, but lion pillows incorporate the additional
The form of the lion supporting the current pillow –
element of protection.
particularly the head - clearly has its origins in Tang
dynasty white Xing ware fgures of lions. These are Pillows in the shape of animals were already established
guardian lions, depicted sejant – that is seated on their amongst Chinese ceramics wares by the 9th century. In
haunches with forelegs straight and both forepaws on the the 舊唐書 Jiu Tangshu, compiled by Liu Xu 劉昫 (888–947)
ground in front. They often are shown with their mouths and Zhang Zhaoyuan 張昭遠 (who took his jinshi degree in
open to display ferocious teeth, in keeping with their role 877), it is noted that in the early 8th century pillows in the
as guardians. Two such lions were excavated in 1978 from form of leopards were used in order to ward of evil spirits,
a Tang dynasty tomb at Zhongyangquan village, Xingtai while pillows in the form of crouching bears were believed
city, Hebei province (illustrated in Complete Collection of to encourage fertility (see Xin Tangshu, juan 37, p. 1377). A
Ceramic Art Unearthed in China – 3 – Hebei, Beijing, no. Tang dynasty Changsha pillow in the form of a rhinoceros
62). In China lion-shaped ceramic pillows were particularly is in the collection of the Ji’nan City Museum, Shandong
popular during the Song-Jin period. A Song dynasty (illustrated in Zhongguo wenwu jinghua daquan Taoci juan,
white-glazed pillow in the form of a lion, with the back Taipei, 1993, p. 236, no. 206). A 9th-10th century brown
of the lion providing the head rest, is in the collection of lion or tiger-shaped pillow was excavated from the Tang
the Palace Museum, Beijing (illustrated in Porcelain of the dynasty port of Yangzhou in Jiangsu province; a 10th
Song Dynasty (I), The Complete Collection of Treasures century Yue celadon tiger-shaped pillow was excavated
of the Palace Museum, vol. 32, Hong Kong, 1996, p. 190, in 1977 from Shangpu in Zhejiang province; and a Song
no. 172), while a Cizhou white-slipped lion-shaped pillow, dynasty white-glazed tiger-shaped pillow was excavated
with similarly scrolling tail to that on the current pillow, in 1953 at Hanyang in Hubei province (illustrated in
and with the back of the lion providing the head rest, is in Zhongguo wenwu jinghua daquan, Taoci juan, op. cit., p. 310,
the collection of the Tokyo National Museum (illustrated pl. 475). An 11th century Song or Liao white-glazed tiger or

23