Page 17 - mar 21 Japanese and korean art Bonhams
P. 17

2030
           UTAGAWA TOYOKUNI I (1769-1825)
           Edo period (1615-1868), circa 1798-1809
           Comprising four oban and one hosoban
           tate-e print: the middle sheet from a triptych
           titled Sanjuroku-ban tsuzuki yakusha junitsuki
           shogatsu nicho machi toshifuda no zu (The
           36 sheets, the Twelve Months of Actors, First
           Month), circa 1809, published by Ezakiya
           Kichibei (Tenjudo); Shichi henge no uchi
           Ichikawa Monnosuke, circa 1822, published
           by Matsumuraya Tatsuzaemon; Onoe
           Matsusuke I and Bando Mitsugoro IV from an
           untitled series of double portraits of actors,
           circa 1798-1800, published by Nishimuraya     2031
           Yohachi (Eijudo); another double portrait of
           actors; a hosoban print depicting an actor,
           published by Nishimuraya Yohachi (Eijudo); all
           signed Toyokuni ga (5)
           14 3/4 x 10in (37.5 x 25.5cm) each
           approximately
           12 1/8 x 5 1/2in (31 x 14cm)
           US$1,000 - 1,500
           2031
           UTAGAWA HIROSHIGE I (1797-1858)
           Edo period (1615-1868), circa 1835-1853
           Comprising eight oban and two aiban yoko-e
           prints: from the series Toto meisho (Famous
           Places in the Eastern Capital), circa 1835-
           1847: Sato Sakurada Benkeibori sakura no
           i (Cherry-tree Well at Benkei Moat outside
           Sakurada); Kasumigaseki no zu (View of
           Kasumigaseki); Shiba Atagoyama (Mount
           Atago in Shiba); Ryogokubashi hanabi no
           zu (Fireworks at Ryogoku Bridge); Dokan-
           yama mushi-kiki no zu (Listening to Crickets   2032
           at Dokan Hill), published by Sanoya Kihei
           (Kikakudo); Eitaibashi Tsukuda oki isaribune
           (Fishing Boats in Tsukuda Bay, from Eitai   2032
           Bridge); and Takanawa tsukiyo (Moonlit   UTAGAWA HIROSHIGE I (1797-1858) AND  Watanabe, ushi juichi and Asukayama hanami
           Evening at Takanawa); from the series Koto   UTAGAWA SHIGEMARU (1848-1853)  no zu (Cherry-Blossom Viewing at Asuka
           meisho (Famous Places in Edo), circa 1835-  Edo period (1615-1868), circa 1838-1855   Hill), censor’s seals Kinugasa, Murata, ushi
           1842: Yushima Tenjin yashiro (Tenjin Shrine   Comprising two chuban yoko-e, four oban   hachi, both circa 1853, from the series Edo
           at Yushima), published by Sanoya Kihei   yoko-e, one oban tate-e, and two aiban   meisho (Famous Places in Edo), published
           (Kikakudo) and Kameido no zu (View of   yoko-e prints: Ashitakayama, Fuji no numa   by Yamadaya Shojiro; Kanbara, Iwafuchi yori
           the Kameido shrine), published by Izumiya   (Hara: Ashitaka Mountains and Fuji Marsh),   Fujikawa o miru zu (Kanbara: View of the Fuji
           Ichibei (Kansendo), both with censor’s seal   from the series Tokaido Gojusan tsugi no uchi   River Seen from Iwafuchi), circa 1843-1847,
           Kiwame; from the series Toto meisho no   (53 Stations of the Tokaido Road), circa 1850-  censor’s seal Hama, all signed Hiroshige ga;
           uchi (Famous Places in Edo), circa 1840-  1851, published by Tsutaya Kichizo (Koeido),   Shimada, Oigawa Sungan (Shimada: The
           1842: Sumidagawa hakkei, Imado yusho   censor’s seals Mera, Murata; and Tsuchiyama,  Suruga Side of the Oi River), from the series
           (Eight Views of the Sumida River: Sunset   Suzukayama no zu (Tsuchiyama: Suzuka   Gojusan tsugi meisho zue, (Famous Sights
           Glow at Imado), published by Sanoya Kihei   Mountains), from the series Tokaido gojusan   of the 53 Stations), circa 1855, published
           (Kikakudo), censor’s seal Kiwame, all signed   tsugi (53 Stations of the Tokaido Road),   by Tsutaya Kichizo (Koeido), censor’s seals
           Hiroshige ga; and the last Dokanyama   circa 1840-1842, published by Sanoya Kihei   Aratame, u shichi, signed Hiroshige hitsu; and
           (Dokan Hill), from the series Toto meisho   (Kikakudo), censor’s seal Kiwame; Oji, Ogiya   Asakusa, from the series Edo meisho (Famous
           (Famous Places in the Eastern Capital),   (Oji: The Okiya Restaurant), from the series   Places in Edo), circa 1852, censor’s seals
           circa 1853, published by Izumiya Ichibei   Edo komei kaitei zukushi (Famous Restaurants  Mera, Watanabe, ne shichi, unsigned (9)
           (Kansendo), censor’s seals Fuku, Muramatsu,   of Edo), circa 1838-1840, published by   chuban 16 1/8 x 9 1/8in (15.6 x 23.2cm)
           ushi roku, unsigned (11)          Fujiokaya Hikotaro (Shogendo), and Sanshu   each approximately
           oban 9 7/16 x 14 3/16in (24 x 36cm) each   Marugame (Marugame in Sanuki Province),   oban 9 7/8 x 14 13/16in (25 x 37.6cm) each
           approximately                     from the series Nihon minato zukushi (Harbors  approximately
           aiban 7 3/8 x 12 3/4in (18.7 x 32.4cm) and 8   of Japan), circa 1840-1842, published by   aiban 9 3/8 x 14 1/8in (23.7 x 36cm) each
           7/8 x 13 9/16in (22.6 x 34.5cm)   Maruya Seijiro (Marusei, Jukakudo), both   approximately
                                             censor’s seal Kiwame; Kameido Tenmangu
           US$2,000 - 4,000                  keidai (The Precincts of the Tenmangu   US$1,000 - 1,500
                                             Shrine at Kameido), censor’s seals Mera,


                                                                                      FINE JAPANESE AND KOREAN ART  |  15
   12   13   14   15   16   17   18   19   20   21   22